Climb de Rock: A Climber’s Guide to Bermuda is available from the Bermuda Bookstore and on Amazon in paperback and ebook versions.
BLOG ENTRY 31/5/20
Deep water soloing: how high can you go? At what point are we no longer deep water soloing, but simply soloing? Incidents at Durdle Door in Dorset yesterday in post-lockdown England illustrate this.
Two, and possibly three, youths were seriously injured and required helicopter evacuation after jumping off the top of the arch which is in the region of 25-30m above sea level depending on the tide.
Without considerable experience of jumping from heights into water and being able to orientate your body, correctly, in space these guys would have had close to zero chance of avoiding injury.
Although you can be lucky: San Francisco’s Golden Gate Bridge is 75m above the water and is probably the most well studied suicide method in the world. The data suggests a 98% death rate from jumping off it. Most of the lucky 2% who survived reportedly changed their minds about their decision on the way down.
My friend, Mike Robertson, has deep water soloed Riding to Babylon which climbs to the apex of Durdle Door. He is an extremely experienced deep water soloist – in fact one of the main UK pioneers – but even he donned a wetsuit to theoretically minimise the potential impact and had a safety swimmer, Gav Symonds, in the water to fish him out if he was incapacitated.
10-15m is safe. 20m is approaching the limit and above 30m is death. The highest jumps we have in Bermuda are ‘peak’ at Spanish Point, which is 20m, and Mike Wilson’s unrepeated 30m jump at the Great Head which is pretty insane. The video below shows me jumping off the exit known as ‘peak’ which is 60ft above five feet of water depth.
BLOG ENTRY 30/5/20
BLOG ENTRY 29/5/20
Here is a great article from the Climbing magazine website with links to climbing films available to watch for free.
13 Great Climbing Films You Might Not Be Familiar With (And 5 of the Worst)
CAMERON M. BURNS MAY 26, 2020
Author’s note: In this time of quarantine, I thought a few movie suggestions might be in order. While most readers will be familiar with films like Free Solo and Dawn Wall, I thought we could take this space to suggest a few less-known films that are also excellent. Climbers Steve Bosque and Jim Disney suggested a few for this list. The ultimate selection was mine, and one important criterium was that the films be available for free on the internet—where possible.
Grit Kids won Banff’s Best Climbing Film in 2008. It’s a terrific little film by Paul Diffley, a Brit filmmaker who runs Hot Aches Productions. In this film, we meet two siblings, Pete (17) and Katy Whittaker (19), trying some very bold leads on Yorkshire gritstone. Pete starts with Warm Love (5.13b) and takes a near ground-fall. Then another. Then another. And another. That’s just the opening scene. Then, Katie decides to try Nosferatu (5.12a X)—onsight. Mum, a climber herself, watches on contentedly.
British Climbing Team coach Dave Binney points out that the two siblings don’t have an agenda for their climbing; they just want to have fun. He also believes a lot of Katy and Pete’s success is due to the fact that climbing is a family affair and there’s no pushiness, just encouragement. Makes sense.
Next, Pete puts up a new route: Captain Calamity (5.12c X). Then we watch videos of the kids when they were really little. Then Katy climbs Kaluza Klein (5.12c X)—“a classic gritstone frightener,” as British guide Jack Geldard puts it. You think?
“They’ve both got pretty good heads when they’re trad climbing,” Mum explains. “It’s always been very controlled.”
Pete puts up Grandad’s Slab (5.13a R/X), then a 5.13c X direct start to Braille Trail, which is hard to watch. Mum, who belays, tries to figure out which way to jump if Pete falls, thereby taking some of the slack out of the rope and hopefully catching Pete before he goes splatter-cakes on the cliff. This is a nutty family.
Trivia moment: “Top-rope” is a state of mind. You see Seb Grieve saying the same thing in Hard Grit.
Statement of Youth: The Birth of British Sport Climbing
As the title suggests, this film is about the origins of sport climbing in Britain. Not mentioned is the fact that this is also a film about gorgeous squalor.
This story starts with the summer of 1983 in Pen Trwyn in Wales when dozens of young climbers from Sheffield and other places move into in Parisella’s Cave and live there, cheek to cheek, ’nad to ’nad while they climb dozens of new routes.
This was in the Thatcher years. When she came to power there were two million unemployed people in the UK. During her reign that number doubled. Young men were happy to be on the dole so they could concentrate on their climbing.
Said young men whip off to the Grand Hotel in Llandudno, sneak in the back door, grab a bath, then go back to the filthy cave to sleep. (You can smell this scene through your laptop.) All the while, they push British climbing standards higher and higher.
Cave living is bad, but later we see the beloved gang of Sheffield-based misfits move into their infamous digs on Hunter House Road, a more squalid existence than thought possible. Dogs shit all over the house, people sleep in rubbish, and Syph the cat (named after the disease of the nether regions) one day eats a huge stash of psilocybin mushrooms. All good fun and games and no OSHA anywhere to be seen. Towards the end of the war on cleanliness, one resident even starts putting bottles of urine on the kitchen table to see if anyone will clear it away. Nope. The environmental health department eventually closes the house down.
The movie settles in on the relationship between Jerry Moffatt and Ben Moon, several years his junior, whom the former takes on as a protégé. They travel to France together. Then they come back and Ben bolts a climb in an overlooked part of Pen Trwyn (Lower): Statement of Youth. It’s worth noting that a lot of the climbers are wearing swami belts in this video.
Antoine Le Menestrel and Jean-Baptiste Tribout arrive in England and our lads show them around. One highlight is Le Menestrel soloing Revelations.
From 1984 to ’86, Jerry’s out injured and the friendly (mostly) rivalry between Ben and Jerry intensifies. Finally, Jerry comes back, poaches a traverse from Ben, and the lads head off to France where they knock off three 8b+s. We also see Ben succeeding on Agincourt (8c) a few years later (to see him on these routes 30 years later, click here). Climbing in the UK went from 7c to 9a during the 1980s. “It will never happen again,” notes Ed Douglas in the film.
So, pull your neon tights (or super short shorts) on and get ready to pogo around the living room. You’re about to see some of the smallest woodies ever erected.
Trivia moment: Mostly good dentistry in this film.
This is based on the true story of Toni Kurz and Andreas Hinterstoisser and their 1936 attempt on the north face of the Eiger. There’s a great tension in the beginning of the story: Hinterstoisser wants fame and adulation for the first ascent. Kurz climbs for his own personal reasons and thinks the Eiger’s a death lottery. In between these two is a woman (Luise Fellner) they’ve both known since childhood who is given the task of writing about them and their likely ascent for a big Berlin magazine. Kurz gives in.
Of course, Kurz and Hinterstoisser bicycle the 700 kilometers to Switzerland while Fellner and her magazine publisher boss, Henry Arau, take the train.
Kurz and Hinterstoisser meet the competition in the field below the Eiger, where a crew of first-ascent hopefuls are camped, including Austrians, French, and Italian climbers. The French and Italian teams think conditions are bad, so they opt out.
The Germans and Austrians (Willy Angerer and Edi Rainer) start climbing, simultaneously, up different routes.
Angerer takes a rock to the head. Then a fall. He’s bleeding out and Kurz decides that he and Hinterstoisser should help him down. It’s a mess. Half the film is an epic and very sad retreat. Hinterstoisser carks it. Kurz is left to himself. Rescue attempts fail. He snuffs it.
The great dichotomy of this film lies is the lavish lifestyle of the wealthy in the hotels below the mountain and the absolute deprivation of basic comforts going on, on the mountain. We can all relate to this.
There’s even a scene in which a hotel manager presents a three-foot-tall cake to the guests in Kleine Schiedegg celebrating the first ascent of the north face, which will surely happen on the morrow. The cake is shaped like the Eiger, but it looks more like a pointy overgrown blackhead. The climbing scenes in this film are excellent, all done in the real locations where these guys operated and climbed and croaked. This film also shows you why you don’t wanna get into alpine climbing; the morning starts are brutal.
This film seems to be available via Kanopy, a film service many libraries and universities use. You should be able to log in with your library card or student ID.
Ghosts of K2
Most of the 8,000-meter peaks of the Himalaya are associated with a European nation, typically the nation that achieved that mountain’s first ascent. Everest is English, so to speak. Annapurna, French. Nanga Parbat, German/Austrian. Makalu, French. K2 was nearly an American mountain.
Fritz Wiessner is the early star in the film, via his 1939 expedition. This is the expedition made famous in the book K2: The 1939 Tragedy. This film helps by recreating that infamous attempt and explaining how Dudley Wolfe died.
Next, we get the story of the 1953 American expedition, put together by Bob Bates and Charles Houston. Bob Craig, George Bell, Dee Molenaar, Art Gilkey, Tony Streather, and Pete Schoening also appear in interviews. The team arrive in Pakistan a week after Everest has been climbed for the first time. They make good work up the mountain, but one morning Gilkey falls down, struck down by blood clots. They start lowering Gilkey down the mountain. George Bell falls and the tangle of ropes brings down all eight climbers. Somehow, Pete Schoening arrests all the tumbling men with a single ice axe.
The first ascent was made by Achille Compagnoni and Lino Lacedelli in 1954, making K2 an Italian summit. Compagnoni and Lacedelli appear in the film.
Trivia moment: I once edited the obituaries section of the American Alpine Journal. While working on Bob Bates’s obit, Charlie Houston told me his neighbor and he would often share a beer at the end of the day. The neighbor? Trey Anastasio of Phish. No kidding.
The Lorax Project
Frenchmans Cap is a stunning mountain in western Tasmania. It has a 350-meter wall on its southeast side. The Lorax is a route established on this face by Garn Cooper and Peter Steane in 1988. It has been climbed only a few times. In this film we follow Peter Wyllie, a doctor who grew up near the Blue Mountains west of Sydney. At a young age, Wyllie caught the climbing—then base jumping—bug. In 2015 he landed a year-long job in Launceston, Tasmania. There he started exploring the island’s incredible landscapes. These landscapes are shown via stunning aerial footage.
Wyllie befriends a young German traveler Martin Buchauer, and they start planning an ascent of The Lorax and a subsequent jump off Frenchmans. They rope four others into the project: Kamil Sustiak, Lee Jackson, Jared Irwin, and Simon Blair. Somehow, they get a clear weather window, an elusive blessing in Tasmania’s west.
The climb is well recorded via several angles and helmet cams, as well as at least one drone. The quartzite looks incredibly bad, and Wyllie admits he was more scared during the climbing than during the jumping. A very rewarding adventure.
Trivia moment: The Lorax is a book by Doctor Seuss about the destruction of the environment. The incredibly bitter logging debate currently raging in Tasmania began heating up when Cooper and Steane made the first ascent of, and named, the route.
This is not strictly a climbing film but there’s quite a bit of climbing in it. It’s about our need for danger and the way in which mountains supply that. Essentially, narrator Willem Dafoe explains that a few hundred years ago humans saw mountains as the abodes of gods and monsters. No one in his or her right mind would go there. Certain death awaited. But as the centuries progressed, humans became curious about mountain regions and began exploring and mapping them. The mid-19 century saw the evolution of mountain climbing a sport. By the middle of the twentieth century (after the Wars) mountain climbing took off and has today become a sport that millions of people from around the globe pursue. This film examines the reasons we are drawn to high places and looks at the downsides of all this human attention. Ultimately, a lot of us seek out the mountains for risk, the kind of risk our day-to-day lives don’t offer. The film is highly critical of commercial mountaineering, especially the kind of commercial climbing found on Everest.
The film was a collaboration between the Australian Chamber Orchestra and Australian director Jennifer Peedom (she also made Sherpa) so the music is as powerful as the exceptional photography, most of which was shot by Renan Ozturk (some of this is obviously stock footage). Think Koyaanisqatsi for climbing.
Trivia moment: Mountain is the highest grossing (non-IMAX) Australian documentary of all time.
El Capitan, Sentinel: The West Face, and Freeclimb: The Northwest Face of Half Dome
These three are older films about Yosemite that are still fun today.https://www.youtube-nocookie.com/embed/PNRq0q2pqn4
El Capitan is the original Yosemite film. Made by Glen Denny and Fred Padula during May and June of 1968, it follows the story of the three climbers (Gary Colliver, Lito Tejada-Flores, and Dick McCracken) as they go up the Nose (Denny goes up with them to film, but is not seen in the film).
This is really a visual diary. The shots are artful and abstract and bring the wall to life. It’s edited with a running stream-of-consciousness-type dialogue, which is eerily effective. The pendulum off Boot Flake is a sweaty-palm maker; it’s filmed from across the Valley with a long lens.
The white-throated swifts and cliff swallows are amazing. There’s a six-minute night scene, which is curious and strangely worrying.
Trivia moment: The old joke about having a watermelon strapped to your butt while climbing originates with this film (but these guys actually bring one up).https://www.youtube-nocookie.com/embed/3m3no8H711o
Sentinel: The West Face was made in 1963 (not 1967 as it states on Youtube) and it stars Royal Robbins and Yvon Chouinard, climbing the 1960 Chouinard–Frost west face route on Sentinel Rock in Yosemite Valley. Another visual diary which shows the techniques and equipment of the day. The amount of freeclimbing with 30 pounds of chrome-moly pitons strapped to the waist in impressive.
Freeclimb: The Northwest Face of Half Dome is the story of Jim Erickson and Art Higbee’s 1976 tenth attempt to free the northwest face of Half Dome. The film was directed by Bob Godfrey, who also co-authored Climb!, the classic book on Colorado climbing history. The interviews around Boulder in the mid-1970s (when houses cost $60k) are fun. The film can be watched in full at Archive.org, though sometimes loads poorly. It’s also available via Amazon Prime.
I read someplace that this 1998 film was quite out of date. That might be true, but the climbing and more importantly the falling are eye-popping. A must-see film for Americans who wanted to get some of the flavor of British grit climbing. It features some of the most frightening and dangerous rock climbing leads ever captured on videotape.
Hard Grit follows a year in the activities of some of the UK’s greatest rock climbers, including Neil Bentley, John Dunne, Johnny Dawes, Seb Grieve, Leo Houlding, Jerry Moffatt, Ben Moon, and Sam Whittaker.
From literally the first scene (French climber Jean–Minh Trinh-Thieu on Gaia), the film shows crazy belay techniques, micro pebble-pulling, and heart-stopping falls. All without helmets.
Then we march through a long list of routes, each seemingly scarier than the previous, the falls growing longer and longer. The music gets more ominous. The climbers are clearly nervous.
It depicts mostly repeats of routes like Parthian Shot, New Stateman, Samson, End of the Affair, Braille Trail, and Gaia. Seb Grieve’s repeat of Parthian Shot is especially rattling (the only good gear being a cluster of RPs behind “a shipwreck of a flake”) as is his final route, the first ascent of Mesuga.
I couldn’t find Hard Grit free online. Director Richard Heap asked that anyone interested in buying Hard Grit contact him directly at email@example.com and he’ll organize Paypal details.
Also, check out this list of the climbs graded by “fall survival chances.”
Watch a clip of Seb Grieve going airborn off Parthian Shot below.https://www.youtube-nocookie.com/embed/0YGePHW5wG8
Brave New Wild
Many readers will know Valley Uprising, but you might not be familiar with Brave New Wild, a more personal and offbeat look at the events as they transpired in Valley climbing history. It’s told through the eyes and lens of Flagstaff filmmaker Oakley Anderson-Moore, whose father Mark Moore was a pioneer in Red Rock during the early 1970s.
The film starts with Warren Harding and Dean Caldwell waving off a rescue from the Wall of the Early Morning Light (aka the Dawn Wall). Then we get some instruction in what was going on economically in America for climbing to take off—and for counter culturalism to take off. Anderson-Moore starts out with the Vulgarians and their plight (lots of nudity, sheep, cuss words, etc.) as they visit the Tetons and meet Western climbers. Then we get to Yosemite and we meet Royal Robbins and Harding.
As with Valley Uprising, much of this film centers on the relationship between Robbins and Harding. But she also weaves the story of her own interest in climbing, which came via dad. He travels around on freight trains, working as an itinerant fruit picker to support his climbing. It’s a heartwarming story that Oakley tells.
Some of the more endearing parts of the film are the sections of footage shot by Mark Moore. Nearly every time Moore starts shooting his daughter the camera gently pans away from the little girl and fixes on whatever mountains, cliffs, or boulders are nearby. “I began to notice a pattern,” she comments.
Like Valley Uprising, Brave New Wild is worth seeing for its superb visual recreations of the climbs mentioned, with moving still pics (yup) and route lines crawling up black and white photos. Some footage from El Capitan and Sentinel: The West Face get repurposed in both films. Sheridan Anderson’s cartoons are brought to life in Brave New Wild (worth the price of admission alone).
Trivia moment: The interviews in this film were done using a light that flickered; the goal was to mimic a fireside chat.
Trivia moment two: The guy pulling the car out of the ditch on the Amazon Prime page is yours truly. That was near Buena Vista, Colorado.
This film is about five French climbers (Arnaud Petit, Stéphanie Bodet, Toni Arbonès, Nicolas Kalisz, and Evrard Wendenbaum) and one Venezuelan (Igor Martinez) who set out to climb a 1,000-meter overhanging wall to the left of Angel Falls in Venezuela. Getting there takes two days in boats. Basecamp is a nasty place with mosquitoes, coral snakes, and giant spiders. They get on the wall as quickly as possible. For the first 300 meters they’re doused with water drifting from the falls over to their line. Above most of the moisture, the climb starts to gain a rhythm. Pitch after pitch of scary loose rock fly by as the team reach the summit of the tepui.
There are some interesting things in this film. For one, there is a food czar (Igor) who decides if or when they should ration food. They also explain how one goes to the bathroom and point out that diarrhea would not be a good thing up there. Thanks for that.
The English narration is laughable at times, but quite good.
A Dangerous Alternative
This modest film was made by English climber Mick Burke in 1971. It’s about eight climbers going to Baffin Island and climbing a big face. It sat tucked away out of sight until a filmmaker (“Cap Expé” on Youtube) who knew one of the climbers (Canadian Rob Wood) was invited to Wood’s house and shown the film. Cap Expé was blown away. With permission, Cap Expé put it on Youtube.
Besides climbing, the film offers a discussion on the ills of modern society and what wilderness is and how it should be protected. We are shown what’s wrong with human systems and the sickness of our contemporary predicament: pollution, crowded cities, traffic, stress. (The formal narration reminds me of a Monty Python skit, but this narrator is dead serious.) “We’ve got cities, we want alternatives to cities,” one climber says. So they go on a big old road trip.
They head to Baffin Island where the climbers discuss encroaching development and the potential for a hotel in the Mount Asgard area, which seems ludicrous but concerns like this were rife in early 1970s UK. After a three-week wait for clear weather, the climbers take on a mountain called, ironically, Boulder.
The climbing is mostly straightforward, but the narration is a long, thoughtful discussion about protection, adventure, self-rescue, friendships, sleeping, surviving, and why people climb.
We are then treated to the climbers return to the city, which leaves them wondering once more about modern life. It’s not the greatest cinematography (actually it’s pretty crap), but it’s an interesting film from an interesting time, especially in Britain where the green movement was coming on strong.
Trivia moment: Friends of the Earth was established in Britain by American climber and environmentalist David Brower in 1970, a heady time in the environmental movement in Merry Old. Brower was part of the first ascent of Shiprock in 1939.
Spider Thieves (Niñas Araña)
Okay, this is marginally a climbing film, but I liked it. In it, three 13-year-old girls—Avi, Estefany, and Cindy (who is pregnant)—from a shanty town in Santiago, Chile, climb buildings and rob homes. The film starts slow, and they don’t figure out their MO until 30 minutes into the story. Then all heck breaks loose as they go from high rise to high rise across Santiago, getting into tall buildings and moving around them via the exterior walls’ features. It doesn’t take too long before a security camera catches them, and they’re on the local television news.
Suddenly, everyone in the shanty town knows it’s them.
They keep climbing into apartments, stealing shit, and then get caught. They escape, climbing down the side of a building, then get caught again. Then they go to the Chilean version of juvey. And two of them escape by, you guessed it, climbing. Then they’re pretty much shut down in the shanty town, hiding from authorities and generally lying low. Then, the pregnant girl, Cindy—who looks like she’s about to pop—suggests they go “climbing” one more time. And they end up in an apartment where a girl who dates Avi’s crush lives. Then they quit stealing. Unbelievably sad stuff.
This film seems to only be available via Kanopy, a film service many libraries use. You should be able to log in with your library card.
Better than Chocolate
I’m not a fan of bouldering films but this one caught me because the people in it are so wonderfully low key. This is what modest European climbing looks like—the antithesis of the uber Huber-bahn.
The film opens with Thomas “Steini” Steinbrugger talking about the Magic Wood and how he found it and started cleaning blocks for bouldering.
Then, the filmmakers follow various groups of kids as they boulder in a variety of Swiss venues: the Magic Wood, Chironico, Cresciano, Brione, San Gottardo, and Valais.
We see what Europe’s best unknown (to me, anyway) boulderers are doing (in some instances, American climbers’ problems) and how they dodge the weather, injuries, and motivational issues. There are quite a few first ascents recorded during the filming. Robert Leistner brings his baby to the crag and nearly lands on him. Julie Winter and Juliane Wurm are strong heroines.
What’s apparent about Swiss bouldering is that the undersides of boulders in the Confederation are all razor-cut and clean. The tops of Swiss boulders are mangy mush piles of lichen, moisture, and worm poop. And every Swiss boulder problem is above either a lumber yard of deadfall or a dozen super-pointy rocks.
The film’s score is atrocious. I recommend turning the volume down and streaming Rick and Morty through your headphones. Or stream this.
Some of the other star climbers are Michele Caminati, Paul Robinson, Chris Webb Parsons, Anthony Gullsten, Olivier Mignon, Anton Johansson, Antoine Eydoux, Fred Moix, and the legendary Fred Nicole. This film will make you realize how bad you are at bouldering. It’ll also make you wonder why humans do the stuff that they do.
This film starts out with actor Chris O’Donnell on a climb with his dad and sister, Annie, who is belaying him…or maybe dad is belaying him. Who can tell? Then another climbing party comes ripping off the sandstone of Monument Valley (off-limits to climbing, of course). Suddenly, everyone is falling, regardless of whatever roped group they’re a part of. They all end up on one rope, swinging like chile ristras or that dangler you couldn’t pinch off. Cams rip, more pinching, more scariness. Dad dies, Annie blames Peter. Much regret.
Next thing we know, Chris O’Donnell is in Asia, photographing animals for National Geographic. His porter has an accident, so they are choppered to a Pakistani army base then K2 basecamp.
Annie, who is now a pro climber (and on the cover of Sports Illustrated like most good climbers), is there, prepping for K2. Typical Himalayan basecamp scene. Billionaire Elliot Vaughn arrives with his team of people.
Ed Veisturs is in this film. Man, incredibly embarrassing for him. I used to get socks from him at OR trade shows. No bueno, man. I’m going to Walmart for my socks now. Fucking A, Ed, man. I’m in a sad space now.
The best part of this film is around the 21-minute mark where the rad climbers have a giant party. Booze, brats, and babes (there’s even a bonfire with logs and two guys with a rasta flag have set up a still). Everyone’s getting wasted. Some smoke cigarettes.
Speaking of the 21-minute mark, I couldn’t stand it much longer. I watched this film when it first came out. I watched it again to 30 minutes and that’s enough for any human. I’m cutting off my Youtube-finding fingers and feeding them to rats.
Rotten Tomatoes reported: “The plot in Vertical Limit is ludicrously contrived and cliched. Meanwhile, the action sequences are so over-the-top and piled one on top of another, they lessen the impact on the viewer.”
To correct my Tomato colleagues, this film is a beautiful lesson for all film school students. Both what not to do and how not to do it, piled one on top of another.
The director of this film, Martin Campbell, seems to think he’s a clever sausage. I wish there were laws in the creative world. Martin would easily warrant a lifetime ban from directing.
Voted in by no one. Liked by no one. This film is a classic.
Trivia moment: At one point the subtitles actually say “Urdu continues” while there’s no English translation. Genius.
I spent $4 to re-watch this film so I could report to you, the unsuspecting public. Please donate to my venmo account (Cameron-Burns-23). Now go take those cold meds.
Martini ranking: You’ll need 150 to get through this film.
This is the Gräfenberg Spot of the genre from Hollywood. The Big Kahuna. The pièce de résistance. Two climbers are stranded high atop a tower in the Italian Dolomites, which they call the Rocky Mountains in this film (I’m guessing because blowing up crap and smashing stuff all over the Dolomites was OK with the Italian government; the National Park Service in this country would never condone it). Anyway, Rocky Mountain National Park ranger Sylvester Stallone solos up to the stranded climbers just as a helicopter arrives. Sly and the folks in the helicopter set up a zip line from the tower to the chopper. The first climber zips over to the helicopter. As the second climber, Sarah, is zipping across her harness buckle both breaks and unravels at the same time. She hangs on to a couple of straps as Sly zips out to get her. Sarah drops the teddy bear she is carrying. Then she falls. Much rugged guilt flows.
Next we’re treated to the mid-air robbery of a U.S. Treasury plane via—you guessed it—a zip line between the Treasury plane and the crooks’ plane. The cases of cash fall out of the plane. The crooks call for a rescue, and Sly and his pal Hal go out for them. They kidnap the two rugged rescuers.
Then there’s a long running cat-and-mouse story of the baddies versus the goodies, and so on.
One interesting tidbit is the selection of ropes in this film. One minute they have a hawser-laid sailor’s rope, the next a skinny strand of hemp rope. At one point they actually have kernmantle ropes. It’s more random than your next sleep-over in college. There’s one scene where Sly sleds downhill on top of one of the baddies. At one point, Sly and his lady friend start a campfire with thousand-dollar bills. There’s a cave scene with loads of (presumably vampire) bats. This is the kind of film Donald Trump will star in once he’s done presidenting. And he’ll be bigly. You absolutely have to see the snow bollard at 1:09:20. That could hold a truck. A tiny plastic one.
This film has it all: racism, sexism, elitism, sloth, coveting your buddy’s girlfriend, rage, thieving, misogyny, mindless brutality, OSHA infractions, and loads of the f-word. I’d call this a non-stop roller coaster of thrills, but it’s more like that version of the roller coaster ride where the vodka-drunk 15-year-old gets on and we know how that ends: chunder country. There’s even a scene where a baddie reenacts a footballing scene as he kicks Hal’s face in. And don’t forget the now-infamous bolt gun. This is the granddaddy of climbing films from Hollywood, and it’s required viewing if you’re a real climber. Or want to be. The climax of this film is more climactic than any high point I’ve ever reached. Quoting Wikipedia, which is always true to life: “The film has been criticized for its unrealistic portrayal of rock climbing. One example is the feature of the piton gun which fires pitons directly into rock, forgoing the usual rock-drilling and piton-hammering used in rock-climbing.” Uh-huh. I’m checking REI and Neptune’s for piton guns tomorrow.https://www.youtube-nocookie.com/embed/Dcpg3zZCRzg
Trivia moment: Michael Rooker is much better in Henry: Portrait of a Serial Killer.
Trivia moment two: Sly Stallone was much better in The Party at Kitty and Stud’s.
Trivia moment three: This film was nominated for three Academy Awards; it should’ve won about three thousand.
Quote: “Gravity’s a bitch, isn’t it?” Hal, when talking to the baddies.
Martini ranking: Forget martinis; you’ll need to drink bleach to get through this.
Star Trek V: The Final Frontier
I watched this film when it first came out and I’ll be hog-tied and batter-schnitzeled if the editor of this rig is gonna make me watch it full-length again. So, I’ll touch on highlights.
The guys from the Enterprise are on leave, which means going cragging in Yosemite Valley, a place known for its rock climbs. Birds chirp, the sun rises, and we all feel good as we are introduced to “Yosemite National Park: Planet Earth.”
We are immediately presented with Captain Kirk soloing (is that the Free Blast?) on El Capitan, which is what most intergalactic space captains do on their days off. There’s a chimney in this sequence—remember, we’re on the Free Blast, so that makes no sense. That’s followed by soloing a route on the Cookie (can’t quite tell which one) and Separate Reality. Then he’s soloing around Boot Flake. Then Spock shows up on rocket booster boots or whatever they are. He says: “I don’t think you realize the gravity of your situation.”
Then, distracted by Spock, Kirk falls. It’d be wonderful if this film ended here, but it doesn’t. There’s another hour and 25 minutes’ worth of logic inanity, clever expressions, and colorful retorts. This is cold medicine country. Eat a bucket’s worth.
This film shoulda been the final frontier for whoever wrote and/or directed it. Launch that goober into space, huh? Watching this is like watching a headache. Impossible. But not here. No no.
Slate magazine said this about this flick on the film’s 25 anniversary (which I’m sure you all celebrated): “Today marks the 25 anniversary of a dark day for Star Trek fandom, the release of Star Trek V: The Final Frontier.”
It was also a dark day for basic human intelligence. Zero thumbs up, all thumbs into the dirt.
Voted in by CB.
Trivia moment: What is a Gulf + Western Company? Go here.
Quote: “As a reviewer, I’m as speechless as I am flattened by bad news on an ugly day.”
Martini ranking: There is no final frontier for the number of martinis you’ll need for this one.
The Eiger Sanction
Along with Cliffhanger, this is the pinnacle of Hollywood’s involvement with climbing. It actually belongs in both the best and worst categories. The film begins with some bad spy juju, and Jonathan Hemlock (Clint Eastwood), a former spy turned art professor is pulled out of retirement to deal with a spy mess in Europe. His boss is an albino named Mr. Dragon, who can’t stand light or cold and has a nurse who monitors his visitors. Dragon threatens to reveal Hemlock’s collection of rare paintings to the IRS if Hemlock doesn’t take the job. They arrange a deal. Hemlock goes to Europe, kills a couple of bad spies, and launches one out a window. He lands on someone’s lunch. Then Hemlock meets Jemimah Brown on a plane. She mentions the idea of climbing gear being used like S&M gear. They crash the custard truck together.
Hemlock then trains in Zion and Monument Valley, Arizona, like most spies. At one point he’s turned over to an indigenous local lady named George (played by Brenda Venus) who puts him through a work-out. They crash the custard truck together. The magic of Hollywood really comes together when he and sidekick George Kennedy climb the Totem Pole and drink a six-pack on the summit. An old gay enemy (Miles Mellough) shows up and tries to kill Hemlock. Hemlock dispatches him by driving—according to his speedometer—30 miles around Monument Valley but ends up near where he started. He dumps Miles off for a long hike home.
So, they get to the Eiger, and start up. Jemimah Brown learns that the whole thing is a farce—tit for tat spy stuff. But Hemlock’s already on the hill. They climb awhile, then everyone falls off the mountain in a big climax (real custard-truck business).
Hemlock survives and learns the bloke he was supposed to kill is his buddy, the “ground manager” for the climbing team. Then he’s back on the ground with Jemimah Brown. More delivery-van-with-dessert action.
The one-liners are to die for in this film. There are dozens of websites devoted to them.
There’s some great piton nailing footage. It even shows Clint placing an ice screw in snow.
Anyone who’s ever wanted to go nail a crack in Eldorado Canyon should watch this film for tips before they head out. Oh, and bring your RURPs.
This film has it all: racism, sexism, homophobia, elitism, sloth, coveting your buddy’s girlfriend, rage, thieving, misogyny, mindless brutality, OSHA infractions, and loads of the f-word. Jack Cassidy as Miles Mellough is the best role ever performed in the climbing-film genre.
Trivia moment: There’s an exclamation point at the end of every sentence of dialogue in the script.
Trivia moment two: My old pal Eric Bjørnstad and Ken Wyrick did the rigging for this film, and in 1992 Eric gave me a handful of bongs used for the rigging. Anyone wanna buy them?
Trivia moment three: “You saw he was dead and then you made a pot of tea?” “Drink it before it gets cold.”
Martini ranking: You’ll need 20 Wild Turkeys on the rocks.
Take It To the Limit
This film begins with a bloke named Rick—in a sorta hoods in the woods-type program—on a bus. The bus goes into a tunnel, and when it comes out the other side there’s a guy rappelling onto the road. Actually, there are three guys and a girl. They’re jumping around celebrating because they just did the rappel. Then the leader of this crew walks all over his rope while celebrating his rappel.
Then, Rick arrives at his uncle’s wilderness home to escape the rat-bagging he’d been up to in LA. Rick doesn’t like it. He walks. Meets the rappellers again. And they’re tough with him. “We don’t wanna be attracting any attention” as they rappel off water tanks and the like.
They challenge him. “You climbing or talking?”
“Climbing” he says. Then the lead rappeller dude Batmans up the doubled-over rope he’d just rappelled down. Rick spends the night on the water tower that they all climbed.
Next day he’s rescued and gets climbing gear so he can hang out with the pricks that left him on the water tower.
There are several scenes where Rick goes all handbags with his uncle because Rick is from the city and is as lame as the film he’s in.
There’s loads of Rick versus locals stuff. And a scene where his uncle is training on a woody with leather gloves on.
Then Rick and the lead girl go cragging. But they have an accident then have to bivouac. And there are wolves. There is more of the Rick-versus-the-local-rock-jocks stuff. It’s terrifically bad.
I watched to 50 minutes and am appalled at how awful this film is. If you watch past 50, please let me know. You’ll go into the wall of shame.
Even if you watch this movie with the volume off, you will stick a garden tool through your eye.
Watch this film with the volume on and you will gnaw your limbs off.
This film is beyond messed up.
Take It to the Limit should be taken to the plastic DVD recycling center immediately.
Martini ranking: You’ll need Lake Tahoe–sized adult beverage to get through this film.
Mission Impossible II, which has Tom Cruise performing a scary-looking piece of soloing on desert sandstone. Until he leaps for a hold about 30 feet away and sticks it. Ya ha. Then slips and catches himself until ultimately he’s facing away from the cliff, both hands on an edge he can’t see because its behind him. He then does a moment’s worth of meditation then makes a giant swing for a better part of the edge and pulls himself to the top of the formation. I’ve soloed that route a few times and Tom has the sequence wrong.
BLOG ENTRY 27/5/20
A brilliant essay on UKClimbing today by Graham Hoey remembering his friend John Allen who died last week.
The Day the Music Died – Remembering John Allen
27th May 2020
Graham Hoey remembers friend and gritstone legend John Allen, who died earlier this month in a climbing accident in the Peak.
John Allen 10th October 1958 – 18th May 2020
On Monday 18 May 2020 John Allen tragically lost his life in a fall at Stoney West. He was a well-loved legend within the climbing world and well on his way to becoming a National Treasure – a title which would have amused him but one I feel he would have accepted with his usual humility.
John started climbing around the age of 10, being mentored by family friend and experienced gritstoner Les Gillott. On their early forays from his home in Sheffield, John would imagine he was his hero Joe Brown and when he was just 12 years old he led what was arguably Brown’s hardest gritstone route, the Dangler (E2 5c) at Stanage. A year later he was adding his own routes and went one step further than his hero by leading Soyuz (E2 5c) at Curbar Edge, a line attempted by Brown some twenty years before. These were pre-Ondra days when climbers didn’t step out of nappies onto a climbing wall and for a schoolboy to be working his way through the hardest gritstone climbs of the day was simply unprecedented. Then, in 1973, Allen stunned the local climbing fraternity with his ascent of the ‘impossible’ east wall of High Neb Buttress at Stanage Edge. Old Friends (E4 5c) was a serious route with poor protection and a strenuous, technical, committing crux an uncomfortable distance above the ground. Along with his equally demanding climbs, Constipation (E4 6a) and Stanleyville (E4 5c) also done that year, Allen had added three of the hardest routes on gritstone at the age of just 14. Only Green Death (E5 5c), Edge Lane (E5 5c) and Linden (E5 6a (aid)) were harder. The following year, Allen demonstrated his increasing maturity as a climber by making the first free ascent of The Moon (E3 5c, 5b) on Gogarth. He was clearly no mere crag rat and more and more climbers began to take notice.
But the best was yet to come as the ‘Shirley Temple of British rock’ (as Crags Magazine dubbed him) went on to set gritstone alight over the next two years. His best routes from this period are amongst the finest outcrop climbs in the country and took gritstone climbing to new levels. In 1975 he added (amongst others) Moon Crack (E5 6b), Reticent Mass Murderer (E5 6b), Hairless Heart (E5 5c), White Wand (E5/6 6a), Profit of Doom (E4 6b), and London Wall (E5 6b), the last four of these being climbed within a two week period!
London Wall …
He also found time to pop across to Cloggy to make the (credited) first free ascent of Great Wall (E4 6a, 6a), although, as Mountain magazine laughingly qualified, his ascent did use chalk!
In 1976 the assault continued; Artless (E5 6b), Moon Walk (E4 6a), Nectar (E5 6b, 6b), Strapadictomy (E5 6a) and Caricature (E5 6a) – all simply stunning climbs. Of Caricature it was written that “Allen stepped over the threshold of the possible” and in a way this summarised John’s attitude to climbing which made him and other pioneers before and after him so visionary. He was completely unfazed by the apparent difficulty of a line, nor by any reputation it may have acquired from the efforts of earlier ‘greats’ or his older rivals. He revelled in the challenge they represented at the time. Even today with cams, sticky boots and ‘modern fitness’ these routes from 1975-1976 still present a considerable challenge and on-sight ascents are rare.
Then, late in 1976 John left with his parents for New Zealand. First ascents here and impressive repeats of hard routes at Arapiles in Australia kept John ticking along. During this period he also proved his worth on big walls with a phenomenal (non-jumared) ascent in 1981 of The Nose on El Capitan with Simon Horrox in a day. Between them they lead and seconded every pitch; the first time this had ever been achieved, the locals were amazed.
In the early eighties John developed a recurrent dislocating shoulder which was so lax it could pop out when he rolled over in bed awkwardly. He eventually had surgery on it early in 1982. The recovery from this was quite slow, especially as the surgeon didn’t believe in physiotherapy! He had difficulty trying to regain flexibility, but typically he didn’t make a fuss about it despite it affecting his climbing for a number of years. After surgery, John returned to England to find that things had moved on somewhat.
Beau Geste had been climbed by Jonny Woodward and the grades were increasing. He found it hard to catch up. E7 was the new top level and the heir apparent Johnny Dawes was about to push standards even higher. Nevertheless, John carried on new-routing, adding a plethora of routes all over the Peak. Although no longer at the cutting edge, he was actually climbing technically at his best during the mid-eighties and produced some superb climbs including Chip Shop Brawl (E5 6c), West Side Story (E4 7a), Shirley’s Shining Temple (E5 7a), The Fall (E6 6b), Boys Will Be Boys (E7 6c), The Children’s House (E6 7a), Feet Neet (E5 6c) and Concept of Kinky (E6 6c – his last hard route on grit, in 1989). Some of these have become classic highballs whereas the others have yet to receive even a handful of repeats. Boys Will Be Boys is modern hard while The Children’s House has in my view one of the finest technical sequences on grit.
Eventually John’s business commitments and, it has to be said, increasing girth, led to a slowing down of his climbing activity, but he never lost the bug. Along with most of us he came to embrace sport climbing and regularly holidayed in Spain. More recently he had become enamoured once again with new routing and had been enthusiastically developing a number of sport climbs on the limestone quarries in the Peak District. This was not without excitement, however. On one occasion, to avoid being caught trespassing by the local farmer, John quickly threw himself to the ground and lay as flat and as still as possible in the long grass just metres away!
As a young grit-obsessed teenager climbing in the early 1970s I had heard of John Allen, “the next Joe Brown”, but it wasn’t until 1975 on Millstone Edge that our paths crossed. A young man walked up to Edge Lane, put on his helmet, tied on to his rope and promptly soloed it. It was a captivating sight as the climber calmly and smoothly made his way up one of the hardest routes in the Peak – I had never seen anything like it. “That’s John Allen” my friend said. Allen was just 16, unbelievably a few months younger than myself, but looked considerably older with his strong physique and confident climbing style.
On his return from New Zealand in 1982 I got to know him through our shared love of gritstone climbing. We were kindred spirits, both ‘children of grit’ who had learned the subtle nuances of gritstone climbing and we both loved talking about it! On one occasion we came across each other in Chee Dale and spent ages discussing in minute detail the holds and sequences of some routes we had done on Stanage. After some considerable time John’s climbing partner, Mark Stokes looked at us despairingly “Oh come on, that’s enough ‘Pockets and Pebbles’ for today!” he said.
John had a wonderful, calm temperament and would always treat you as an equal, whereas I always saw him on a higher pedestal than myself, feeling the warmth and joy you get when talking to someone who is a master of that which you are passionate about. He was always a pleasure to climb with, wonderful to watch with superb balance and technique. I remember doing a first ascent with him on Rivelin Edge. I was going well on the grit, managing 6c (English!) pretty consistently. He was not in the best physical condition, but casually stepped up to a break, rocked into it using a pebble and stood up. Looks OK I thought, standard grit move, but it was only when I got on it I realised the sheer steepness of the face. On a slab I might have managed it but … I needed a bit of tight on that one!
John also had a fantastic sense of humour and a mischievous streak. We were once climbing on Ramshaw Rocks with the gritstone jedi Martin Veale. Coming up as third man on John’s new route, I was astonished to find my car keys buried at the back of a break. It was obvious how they must have got there but when I accused John his absolute denial along with a completely deadpan face was so convincing that I was left flummoxed. It was over 30 years later that he admitted, amongst fits of laughter, that he’d put them there – still found it funny even then – lovely man. However, despite his mild nature and patience John didn’t suffer fools gladly, which meant most American climbers he met in Yosemite! On one visit to the USA he fashioned a pair of aerials from coat hangers, attached them to his head and wandered into a local bar. Eventually someone was ‘hooked’ and asked him what they were for. “Communication with Aliens” he said matter of factly. Most people would have got a punch, but John had the charisma to get away with it.
He became in the course of his life a rich man, but no one would ever have known it to see him out and about or to hear him talking; John was never ‘flash’, he was always a warmhearted, generous man. He was also very modest about his achievements but he was understandably quite proud of them; when interviewing him for Peak Rock he jokingly said he rather hoped one day to see a chapter in a book entitled ‘The John Allen Years’!
I regret I was not in the traditional sense a closer friend of John’s. We would bump into each other at parties, at guidebook launches, out at the crag or go climbing together occasionally but we had a strong bond and respect for each other born from our love of climbing on gritstone. I will never forget his smile, his soft, lazy Sheffield twang, his childish mischievousness, his grace, poise and strength. I will miss the “Pockets and Pebbles” greatly. He leaves behind a fine legacy of climbs; “So Many Classics, So Little Time” (E4 6b John Allen 1984).
I will think of him as I solo along Stanage on warm summer evenings with the rising sound of the curlew behind and he will be there. No longer an old man but the young man I watched all those years ago floating effortlessly up a gritstone arête.
BLOG ENTRY 24/5/20
BLOG ENTRY 21/5/20
This is a superbly written article by Mick Ward that appeared on UKClimbing today. He should develop this into a book.
The Vector Generation
21st May 2020
Mick Ward shares another retrospective, this time of the 1960s climbing scene: The ‘Vector Generation.’ (With very many thanks to Geoff Birtles, Ian Campbell, Chris Harle, Chris Jackson, Tony Marr, Reg Phillips, David Price, Dave Smith, Rod Wilson and the late Ken Wilson for help and kind permission to display photographs of this unique period in British climbing history.)
The 1960s was arguably the coolest decade ever. ‘If you can remember it, you weren’t there…’ The UK reeled under the concurrent influences of sex, drugs and rock & roll. Out on the crags, the bravest of the brave were making climbing history. This is their story.
In 1960 Joe Brown turned 30. For almost half his lifetime he had been the predominant British rock climber. Only Whillans had challenged his supremacy. The first ascent of Kangchenjunga in 1955 had secured his acceptance by the establishment. Conversely it had given Whillans yet another chip on his shoulder. Their famous partnership was no more. Whillans aside, by 1960 Brown knew that other, stronger climbers were starting to come through. But the hard years weren’t yet over. In fact the best was still to come.
In the long hot summer of 1959, Cloggy came into condition for weeks on end. Jack Soper and Dave Gregory formed one team among many, securing early repeats of then-feared Brown routes. It seemed as though the mantle of invincibility might be slipping. Bonington recalled having once been spooked by Cenotaph Corner’s intimidating aspect but then realising that, when you actually embarked upon it, the crack bristled with holds and hand jams. A teenage Martin Boysen casually remarked to Nea Morin, “It’s OK – you can get a runner every 10 feet.”
Rod Wilson on first ascent of Troach, Cloggy, 4 Oct 1959© wilson582
It looked as though the pack might be catching up with The Master. There were also a few ominous portents of things to come. Hugh Banner made the first ascents of The Hand Traverse and Troach. The Hand Traverse takes a stunning line above a vastness of space, while Troach demonstrated that Cloggy walls were not as devoid of holds as might be imagined. Look up and Troach appears blank. Look down and it’s a ladder of jugs and little ledges.
Further along the crag, Boysen relatively easily seconded Brown on the first ascent of Woubits Left Hand, musing whether the top peg was really needed. Many years later, Banner would reflect that climbing was about ‘jousting for crowns’. Brown must have realised that Boysen – more than a decade younger – was a likely contender for his crown.
Les Brown high on Vector. April 1966.© Tony Marr, Apr 1966
Brown’s riposte was inspired
In March 1960 Brown made the first ascent of Vector. If Cenotaph Corner and Cemetery Gates had looked unlikely in the early 1950s, in 1960 Vector must have seemed utterly ridiculous. As Bonington noted, after watching him on Tramgo, Brown had far more than superb technical ability. He also had the boldness to go where no-one else dared. He was a master at hanging on in highly dangerous situations and patiently inserting pebbles for protection. He could break down the most demanding unclimbed lines into sections and painstakingly piece them together.
As with Cenotaph Corner, Vector is a masterpiece. But whereas, with Cenotaph, the line is painfully obvious, with Vector it’s anything but obvious. Vector is three-dimensional and multi-directional. It vectors all over the place, constantly probing for the line of least resistance. It’s perfectly named (courtesy of Claude Davies, who had been studying vectors for an exam). Vector seems quintessentially 1960s: an utterly stylish name, for an utterly stylish route, in arguably the most stylish decade in history. It’s almost unimaginable that it could have been climbed in the 1950s. And yet the first ascent occurred a mere three months into the new decade.
Brown had thrown down the gauntlet. Any serious contender would have to repeat Vector. One by one, they came. Whillans repeated it. Crew repeated it. A young lad named Barry Brewster repeated it, allegedly in bendy boots. Many aspirants fell from the top crack. On the first ascent, Brown had uncovered a jug, then craftily replaced a sod of grass over it, to obscure it. Gamesmanship personified! Even today, with the sod of grass long gone, arms can tire, as you hang on just below, not knowing how close that comforting jug is.
Second ascent of Great Wall Reg Phillips, Aug 1962© boje
The 1950s Brown-Whillans hegemony had given testpieces such as Quietus, Rasp, Erosion Groove Direct and The Thing. As with Vector, all these routes are E2. But to think of them in terms of climbing E2 today is to miss the point utterly. Pre-cams, pre-wires, what was your protection? A sling over a spike? Not many of those around! A pebble threaded, à la Brown? No certification and not so many kilonewtons, I’m guessing. How good would it be if you took a 30 foot lob onto it? In 1964 Dave Sales fell off Quietus; both runners ripped and, tragically, he died.
In his beautifully evocative autobiography ‘Rope Boy’, Dennis Gray mentions a climber using garage nuts for runners on Brant Direct, I believe, in the early 1960s. The poor guy was derided as ‘Whitworth’ and laughed off the crag. If you led VS, then the hallmark of a skilled climber, you took your life in your hands (hardly any runners). If you led Severe or V Diff, or even Diff, you still took your life in your hands (hardly any runners). Most routes were death routes to lead. Above all else, a leader had to be steady. Once people left their carefree youth, married, had families, it became increasingly difficult to muster the commitment for hard climbing.
Vector became the gold standard for hard climbing
But there were outliers (there are always outliers). From Whillans came Goliath, Sentinel Crack, Forked Lightning Crack and Carnivore Direct. From Allan Austin came High Street, Western Front and the futuristic Wall of Horrors. Sure, Austin used combined tactics on the boulder problem start of the latter. But going past the second crux, the horizontal break, solo, must have required an almost insane level of commitment.
For sheer physicality came another outlier, curiously one which would remain almost unknown for more than half a century. In 1962 Vulcan, at Tremadog, was pegged. With the pegs in place, Barry Brewster led the pitch free. Today Vulcan is regarded as a tough E4. With some of the holds probably obscured by pitons, heaven alone knows how hard it was for Brewster’s ascent. F7a would be one guess. It can’t have been much easier and it may well have been even harder. At least it would have been relatively safe.
In 1960 a teenage Pete Crew announced himself to the climbing world by falling off The Mincer and landing almost literally in the arms of the newly formed Alpha club. Barely had his feet touched the ground than he was proclaiming to all and sundry that his mission was to burn off Brown. Predictably this went down like the proverbial lead balloon. In the words of Al Parker, “We liked Joe…” While the Alpha males may have viewed themselves as successors to the Rock and Ice, there was still a line to be drawn.
With Vector, Brown had gone onto a seemingly unclimbable area of the crag and succeeded. He did the same on Carreg Hyll Drem (‘the ugly crag’), with the superbly named Hardd (‘beautiful’). He did the same (Tramgo) at Castell Cidwm, an inspired discovery by Claude Davies. And he would go on to do the same at Gogarth, with routes such as Mousetrap, Red Wall, Rat Race, Dinosaur and Winking Crack.
The greatest prize in Welsh climbing
In the early 1960s Brown made a series of attempts on the tentatively entitled ‘Master’s Wall’ on Cloggy. Who came up with the name, I wonder – some wag in the pub or maybe an aspirant? For more than a decade, Cloggy had pretty much been Brown’s personal fiefdom. Now, for the first time, he faced serious competition from a host of climbers such as Hugh Banner, Martin Boysen, Barry Brewster, Ian Campbell, Frank Cannings, Pete Crew and Dave Yates.
Famously Crew beat Brown and everyone else to the first ascent – but only by gamesmanship. If aid was needed, Brown parsimoniously allowed himself no more than a couple of points. Sure, you could peg your way up all manner of stuff – but was this a game worth playing? With a couple of points of aid, you gave yourself some leeway. Given that, back then, nearly all routes had ground-up first ascents, cleaning as you went, a couple of points of aid really weren’t such a lot.
Boldest, first ascent© wilson582, Sep 1963
The first ascents of Great Wall (1962) and The Boldest (1963) marked the apex of Crew’s climbing career. He peaked very quickly indeed, barely into his twenties. Both routes utilised what some regarded as cheating tactics: several points of aid on Great Wall and a bolt, hand-placed on lead on The Boldest. Nevertheless both routes will always stand as iconic masterpieces. As with Vector, The Boldest, a direct line on The Boulder, was exquisitely named. With Great Wall, Crew could have stayed with the original name, Master’s Wall – but he didn’t. Maybe he felt uneasy about the extra aid, knowing that Brown could undoubtedly have done it in this style. Maybe he didn’t feel such a master after all. Maybe he felt unwilling to provoke Brown. Only two years previously, he’d vowed to burn him off. And arguably he had. But sometimes victory is accompanied by pangs of regret.
Barry Brewster had harboured ambitions for the first ascent of Great Wall. As a consolation prize, he went for the first British ascent of the North Face of the Eiger. Hit by stonefall, his dying words to his companion were heartrending: “I’m sorry, Brian…” Bonington and Whillans risked appalling stonefall to reach Brian Nally; it must have been like going through the gates of hell. Ken Wilson always reckoned that both should have received the George Cross, the civilian equivalent of the Victoria Cross, for their outstanding courage.
Perhaps the greatest ever Crag X
In 1964 Craig Gogarth was discovered. Sea cliff climbing was still in its infancy. A handful of routes were done and unbelievably the crag was thought to be worked out. Once again the perils of ground-up exploration were all too evident. Today the route Gogarth is an amenable E1. But when Boysen led the top pitch on the first ascent, huge, disposable flakes abounded. It must have been terrifying.
In the same year, back in the Pass, Eric Jones and Rowland Edwards beavered away, reducing the aid on Left Wall over several weekends. In the end, Rowland soloed it. Working routes is normal today; back then, it wasn’t the done thing and Rowland never made any claims for his ascent. However it’s only fair that, however belatedly, he should be credited both with the first free ascent and the first solo of a route which is, for many people, among the finest in Britain. Both Eric Jones and Rowland Edwards would push themselves hard over the next five decades, having adventures that most of us can only dream about.
In the mid-1960s, John Cleare began taking a remarkable series of photographs of some of the leading activists of the day. The upshot was the superb ‘Rock Climbers in Action in Snowdonia’. Cleare’s photos have triumphantly stood the test of time. Black and white, superb composition, epiphanies of commitment. The star was a bespectacled figure in a white pullover. Although Pete Crew had passed his prime as a climber, he still enjoyed cult status.
Gogarth… Crew had never quite forgotten about the place. He went back and was astounded by the range of possibilities. Gogarth became perhaps the greatest ever Crag X. The mountain crags of Snowdonia were increasingly being regarded as worked out. Maybe the future of Welsh climbing was by the sea.
Once the cat leapt out of the proverbial bag, development was fast and furious. Brown visited and, with his almost uncanny nose for undeveloped rock, found Wen Zawn. Several teams vied for the aptly named Rat Race. Famously Brown and Crew teamed up for the first ascent of the even more aptly named Dinosaur (Brown, apropos of Crew: “Long neck and no brains.”) The pair were on the crag for something like ten hours on a scorching day. Tottering blocks were prised off, hurtling into the sea. Finally deeply deserved success came to ‘probably the strongest team ever to set foot on rock in this country’, in the words of Ken Wilson. Although considerable aid was used, going ground-up on such an intimidating and loose line was inspired. The technically much easier Mousetrap (‘an instant classic’) must have been almost as nerve-wracking.
Much as he was liked, Brown had reduced virtually all of his climbing partners to seconds (the sole exception is Whillans). And this is exactly what happened with Crew. The ‘old man’ became the boss. To Crew’s great credit, he pushed Brown into tape-recording what became his autobiography, ‘The Hard Years’.
It must have been galling for Crew. To the climbing world – and to the public generally – he had inherited Brown’s crown. In reality he knew that, even with the psychological masterpieces of Great Wall and The Boldest, his routes really weren’t any harder than those of the Brown-Whillans era. And by 1967 there was a vibrant new breed of even younger climbers such as Ed Drummond, Lawrie Holliwell and Tony Willmott. Holliwell made the fourth ascent of Great Wall, Drummond the fifth. Crew must have felt hopelessly trapped between generations.
The new aspirants came from all over the country. From 1965 onwards, the then Edwin Ward-Drummond pioneered a remarkable series of new routes in the Avon Gorge. At around the same time, the Cioch club, comprising people such as Geoff Birtles, Chris Jackson, Jack Street, Al Evans and Tom Proctor were developing Stoney Middleton. Going ground-up on limestone first ascents, clearing loose rock as you went, made for bold, forceful climbers.Pete Crew and Al Harris on the first ascent of Zukator© Ken Wilson Collection
In 1968 Proctor and Birtles made the first ascent of Our Father at Stoney. This was the first route comparable in physicality with Brewster’s Vulcan. But, unlike the pegged version of Vulcan, on Our Father protection is decidedly indifferent. With arguably F7a climbing in a highly committing situation, Our Father was almost certainly the hardest route in the country. For more than a decade afterwards, hopefuls would make the pilgrimage to Windy Ledge to attempt it. Most found themselves back on the ground again within seconds.
It was unsurprising that places such as Sheffield and London would yield strong climbers. Less obvious was the seeming backwater of Exeter, which surprisingly boasted quite a few highly capable activists in the mid-1960s. A young Pat Littlejohn rapidly went from beginner to XS leader. Together with Pete Biven, Frank Cannings and Keith Derbyshire, he went on to make adventurous explorations of many South-West sea cliffs. However, it was Cannings who grabbed the biggest prize of the day with the outrageous Dreadnought.
Back on Cloggy, yet more blankness beckoned. If Troach was possible and Great Wall was possible, then what about the space to the right of Great Wall? In 1967 the supremely bold Lancastrian climber Ray Evans made a ground-up attempt on what in 1986 would become Britain’s first E9 – Indian Face. Although Evans was understandably forced to retreat, I’m sure we can all applaud outstanding audacity. Similarly Evans attempted Right Wall ground-up, before Pete Livesey’s first ascent. On this occasion, he was forced back down again by his concerned second’s refusal to give him any more rope!
Boldness. If you wanted to climb hard in the 1960s, you simply had to be bold. You had to be steady. You couldn’t slump on a wire and shout, “Take!” One of Britain’s more unstable crags is Yorkshire’s Langcliffe quarry, poised above the council rubbish tip and conveniently adjacent to the local graveyard. In the foot and mouth epidemic of 1967, most crags were out of action and Langcliffe enjoyed a brief bout of popularity. A relatively unknown climber named Pete Livesey repeated the existing death routes and added another, even harder one, Sickler. At the time, Pete was caught between the competing attractions of high-standard running (years earlier, he’d come cruelly close to a four minute mile), high-standard caving, high-standard kayaking and high-standard climbing. A few years later, when he focused his formidable energies on climbing, standards would rocket.
In 1968 a young Al Rouse began training on The Breck, a tiny, finger-shredding outcrop near Liverpool. A similarly aged John Syrett began training on a climbing wall in Leeds university. Tom Proctor was training on the walls of outbuildings in a Derbyshire farm. Lawrie and Les Holliwell were training on southern sandstone. Each would have been unaware of what the others were doing. In every case, the training yielded significant results.
(“Anything he could lead, I could second – in winklepickers and mortar board!”)
The birth of modern climbing media
In the winter of 1967, Martin Boysen, Mick Burke, Pete Crew, Peter Gillman and Dougal Haston staged an expedition to Cerro Torre. Although unsuccessful, it was an attempt to bring hard, technical climbing to a super-Alpinist environment. As such, it was well ahead of its time.
The Cerro Torre expedition coincided with the birth of modern media in climbing. Until the late 1960s, most information (e.g. about new routes) had to be gleaned from journals put out by leading clubs such as the Climbers’ Club and the Fell and Rock. But suddenly there were not one but two vibrant climbing magazines. Rocksport catered for domestic rock climbing while Mountain took a worldwide view of both mountaineering and rock climbing. Mountain was edited by Crew’s friend, climbing photographer Ken Wilson. Quizzing Crew on his return to Britain, Wilson was bemused to learn how slowly an all-star team had moved on Cerro Torre, versus the supposed first ascensionists, Maestri and Egger. Unsurprisingly Maestri later received the full Wilson interrogation – a harrowing experience, as some of us can attest.
Closer to home, scandal erupted in The Sunday Times with a well researched article by Peter Gillman. This alleged that a considerable number of new routes in Snowdonia were bogus. While nobody wanted to risk pushing the perpetrator over the edge, equally there was a duty to inform prospective ascensionists that these routes were almost certainly still unclimbed and the grades little more than guesswork. Televised spectaculars (e.g. the Old Man of Hoy) had brought climbing into the living rooms of the nation. Now we had climbing exposés as well.
At the end of the 1960s, there was a sense almost of ennui in the climbing world. It was well summed up in an article by court jester, Al Harris, in Rocksport. Were all the crags worked out? Was climbing in a cul de sac? One reaction was hard soloing. Both Cliff Phillips and Eric Jones excelled in soloing Extremes. (The then XS covered what’s now E1, E2 and E3, together with outliers such as Our Father, E4. You took a chance on how hard your route would turn out to be.) In the event, Richard MacHardy made the coveted first solo ascent of Vector. Others, such as Ron Fawcett and Jim Perrin, would follow him. Earlier MacHardy had demonstrated his expertise with a rapid first ascent of The Vikings on Scafell – probably the hardest route in the Lakes.
1958. Harry Smith on Right Eliminate, Curbar, with Don Whillans showing scant interest.© wilson582
(Don Whillans indulging in an impromptu spot of performance climbing coaching)
Itchy-fingered upstarts waiting in the wings…
Back in the early 1960s, poor old ‘Whitworth’, with his garage nuts, had been laughed off Brant Direct. But of course once a technological genie escapes from the proverbial bottle, you can never quite get it back in again. However crude by modern standards, garage nuts pre-threaded with nylon slings, could be placed with far less skill and a hell of a lot faster than Brown’s pebbles. The obvious next step was machine-made nuts for climbing. Many climbers came to love MOACS and baby MOACS. For the first time ever, good runners could be placed swiftly.
Training would have an effect (e.g. Rouse, Syrett, Proctor, the Holliwells). Protection was slowly getting better. Brought together, training and better protection would take climbing out of Harris’s cul de sac. But the time wasn’t quite ripe.
To my mind, the 1960s Vector generation was the boldest in all of British climbing history. Climbing first and early ascents of E2s, with a dodgy runner every thirty feet, was no mean feat. Often routes were littered with loose rock. Earlier hard routes had often been easier-angled – so at least you could hang around, contemplate your fate and attempt to compose yourself. But some 1960s routes are pretty steep; back then, you really did have to go for it and failure might be distinctly painful, if not downright terminal. Although climbers in the 1970s climbed much harder, they generally had far better wire protection. And when the first cams became available in the late 1970s, many cracks became more amenable.
In 1970 Brown turned 40. Although he would carry on exploring for nearly another four decades, for him the hardest years were over. He will always be widely respected as the greatest ever British climber. Whillans had a last blast of glory on Annapurna, then faced a protracted decline. Crew drifted away from climbing, discovered archaeology and poured all of his formidable intellect, energy and focus into it.
At the beginning of the 1960s, Boysen, with his amazing talent, had seemed set for climbing stardom. Near the beginning of the next decade, he went up to Suicide Wall and, with Dave Alcock, did several new routes in a weekend. Wilson’s verdict, “Go anywhere at Extreme…” was uncannily prophetic. Soon people would be going pretty much anywhere at Extreme.
In the early 1970s, Dave Cook broke the quasi-Masonic code of the dark Satanic mills with a celebrated Mountain article entitled, ‘The Sombre Face of Yorkshire Climbing’. It ended with a tantalising mention of itchy-fingered upstarts waiting in the wings, biding their time, with swathes of as yet unclimbed limestone about to come within their grasp.
Dave Cook couldn’t have been more right. But not all of the itchy-fingered upstarts would be content with merely changing the sombre face of Yorkshire climbing. Some had their sights set on much further horizons. Those itchy-fingered upstarts were indeed waiting in the wings, relentlessly training, knowing that their time was fast approaching. Soon not only British climbing but world climbing would be changed forever.
BLOG ENTRY 19 MAY 20
More sad news. Gritstone legend John Allen was killed in a fall at Stoney Middleton yesterday. I never climbed with him; I only met him in the pub, but his climbs will stand forever as mute testament to his talent and are revered testpieces.
BLOG ENTRY 8 MAY 20
Sad news from Wales: Trevor ‘Carlos’ Hodgson lost his battle against cancer today.
I’ll never forget that mad surf-trip to Morocco in the nineties that we schemed up at the bar in The Heights one night. One evening after surfing one of the locals pulled a knife on Trev during a heated confrontation about something or other. Trev simply laughed and the knifeman sheepishly put it away.
BLOG ENTRY 2 MAY 20
Lockdown in Bermuda ended at 6am today and it was a delight to be able to go and climb at the crag where I bumped into Eli who was on the same mission. Fittingly, it was Beltane yesterday and the water is now 72 degrees and warming up nicely.
BLOG ENTRY 22/4/20
Sad news from Llanberis last week: Joe Brown passed away at home aged 89. Here is Jim Perrin’s obituary of him in The Guardian. Photos are additional and are amongst those gathered for The White Cliff.
The decade that followed the return of Joe Brown from national service to Manchester in 1950 was a crucial one in the exploration of Britain’s rock outcrops and mountain crags and brought him a heroic status in the sport. Brown, who has died aged 89, was involved in the Rock and Ice Climbing Club, founded in 1951 by a group of Manchester climbers.
He developed a partnership with Don Whillans that was to become the most significant in modern climbing history. As a team, they were formidable, the boldness and physical strength of the slightly younger Whillans balancing Brown’s inspired improvisations and innate rock-sense.
The stages for the Rock and Ice advance were the Derbyshire outcrops and the range of cliffs along the north side of the Llanberis Pass in Snowdonia. On the August bank holiday of 1951, Brown joined forces with Whillans in an attempt on the right wall of Cenotaph Corner on Dinas Cromlech in the Llanberis Pass. Their first attempt ended in retreat as a cloudburst soaked the rock.
A month later they were back, and this time succeeded on a route that was a psychological breakthrough in its acceptance of unremitting steepness and exposure, loose rock and poor protection. They called it Cemetery Gates, after a name Brown saw on the destination board of a bus as he returned through Chester that night. That October, the pair fought up Vember on Clogwyn Du’r Arddu – Brown’s second attempt after a near disaster two years previously – and the Rock and Ice revolution was under way.
The activities of this group – and Brown in particular – expanded to include the French Alps, where British climbing had scarcely advanced for 50 years. On their first visit in 1953 the Brown-Whillans team made the third ascent in a very fast time of the recent Magnone route on the West Face of the Petit Dru – then deemed the hardest rock-climb in the Alps; they went on to climb an even harder line of their own on the West Face of the Aiguille de Blaitière that very soon gained and long retained a reputation for extreme difficulty.
As a result, Brown was invited to join Charles Evans’s reconnaissance expedition in 1955 to the 28,169ft Kanchenjunga, the world’s third highest peak and its highest unclimbed one at that time. Brown’s acceptance, and apparent refusal to press for Whillans’s inclusion – something he was in no position to do – was seen by the latter as a betrayal, and the two men, who had never been close friends, climbed less frequently together thereafter.
The climb was far harder, more arduous and committing than the 1953 ascent of Everest. Brown led the final difficult rock pitch to the top, minus four feet, as an undertaking had been given to the King of Nepal not to tread on the actual summit of this holy mountain. His fame thereafter was assured. He followed up this success in 1956 with the first ascent of the Mustagh Tower, a 24,000ft rock spire in the Karakoram.
By 1956 Brown had established himself as the most considerable all-round mountaineer in the history of the sport in Britain. His first ascents on Pennine, Welsh, Cumbrian and Scottish rock had significantly advanced the concept of the climbable; in the Alps and the Himalayas his record was no less impressive.
He continued to climb into his old age and the list of his achievements grew longer with the years. His last recorded new climbs, on Welsh slate and in the Anti-Atlas of Morocco, were accomplished in his late 70s. But after those two great Himalayan ascents of the mid-1950s, his climbing involvement was more relaxed.
In 1957 he married Valerie Gray. The horizons of his activity broadened. He began to be in demand for TV work, where his flinty, humorous commentary, phlegmatic even when in extremis, acted as anchor to outside broadcasts from places as far apart as the Valley of the Assassins in Iran, Welsh sea and mountain cliffs, Alpine aiguilles, Scottish sea-stacks and a wintry Ben Nevis.
In 1967 he was one of those climbing the Old Man of Hoy, off Orkney, in an ascent televised by the BBC. In 1984 he repeated the experience with his younger daughter, Zoe, whose character came over as being as amused and engaging as his own. He even made a quirky series of television shorts about fishing in inaccessible places and acted as Jeremy Irons’ double in the waterfall sequences of The Mission (1986) – the fact that Irons towered over him by almost a foot was concealed by careful camerawork.
There was a measured wit and gravity and a light mocking touch about his screen persona that held true in all the relationships of his life. He instructed for a time at White Hall Outdoor Pursuits Centre in Derbyshire, where he found time to master canoeing. He loved to fish, alone or with close friends.
He had new phases of intense exploratory activity on British rock. In the early 60s he combed the secretive valleys of southern Snowdonia for small, steep crags on which he sketched out the early masterpieces of climbing’s modern age: Vector, Pellagra, Dwm, Hardd, Ferdinand. In 1965 he moved to Llanberis and opened the first of a small chain of outdoor equipment shops.
He had significant climbing partnerships with men of younger generations. With Peter Crew, he developed the awesome sea-cliffs of Gogarth and South Stack, in Anglesey, producing an extraordinary series of routes: Mousetrap, Mammoth, Red Wall, Doppelganger, Wendigo. He continued to produce classic and teasing climbs long after Crew had failed to keep pace with his zeal, and made significant ascents of difficult peaks in the Andes.
In the Himalayas he forged an alliance with Mo Anthoine and enjoyed trip after light-hearted trip – many of them unsuccessful in reaching their objectives and that did not matter to him one iota – to difficult peaks in Garhwal and elsewhere. Even in his 60s he took part in an expedition dogged by bad weather to Everest’s then unclimbed north-north-east ridge.
Born in Ardwick, Manchester, Joe was the seventh and last child of a poor Roman Catholic family. His father died when Joe was eight months old. Thereafter, his mother provided for the family through cleaning work and taking in laundry.
Joe left school at 14 to work for a jobbing builder. From Manchester, the Pennine moors were no more than a bus-ride away: “By my 12th birthday, I knew that going into the country was more satisfying to me than anything else,” he wrote. At first it was just playing around, then it gravitated to mine exploration in the abandoned copper workings at Alderley Edge and pot-holing in the White Peak. Inevitably, the progression was to climbing. For Brown this began among the arctic conditions of early 1947 in hobnailed boots at Kinder Downfall, above Hayfield, Derbyshire.
The rapidity with which Brown became perhaps the most significant figure in British climbing history was astounding. Within weeks this short, slight 16-year-old had begun to lead mountain rock-climbs at the highest contemporary standard. His native talent needed an educated and organisational ability to lead it on to fame and achievement. He found it through a chance meeting at Kinder Downfall in the spring of 1947 with Merrick “Slim” Sorrell.
Sorrell, three years older than Brown, was a pipe-fitter from Stockport whose solid and knowledgable company underpinned the first phase of Brown’s pioneering on rock. That their ability was notably higher than the prevailing standards of the day was established on a visit to North Wales. They had viewed the climb known as Lot’s Groove on the cliffs of Glyder Fach – alleged to be one of the harder climbs in Wales – and accomplished it on sight.
On the same holiday Brown made an ascent of the Suicide Wall in Cwm Idwal – undoubtedly the hardest climb of its time in Britain. “I didn’t find it too bad,” he told me many years later. By the summer of 1948, having mastered the most difficult of the existing climbs, he began turning out his own repertoire. Initially these climbs were on Derbyshire and Yorkshire gritstone edges – brutally steep outcrops of abrasive rock in the ascent of which Brown displayed a suavely rhythmical and relaxed genius.
His ability was now bolstered by being right at the centre of a group of climbers from the Manchester and Derby areas, the Valkyrie Club. On crags such as Stanage and Froggatt Edges, Wimberry Rocks and Dovestones, the routes that marked British rock-climbing’s postwar revolution and were to bring it in line with prewar continental standards were forged.
Long-standing problems feared and revered by the sport’s elders were vanquished beneath the insouciant plimsolls of a ragged and humorous 17-year-old youth. As a young climber myself in Manchester at the start of the 60s, I was intensely aware of his presence and how much he had achieved by then.
I could understand how the other greats of the period climbed: fitness, physique, supple gymnasticism or sheer application. With Brown, there was something else at work. He was quite short, not heavily built, his movement smooth and deliberate.
When I climbed with him, sometimes I would watch the way he made a move, copy it when I came to that point, and his way, that he had seen instantly, would be the least obvious and most immediately right. He was climbing’s supreme craftsman, unerringly aware of the medium. That instinctual rock-sense never entirely left him.
And with him, too, came a character generous, playful and straightforward. His mind may not have been academically trained, but he was sharp, informed, argumentative, and I think very wise. He loved the contest, be it physical or intellectual; he loved to wrestle.
Once, after a first ascent on the Pembrokeshire sea cliffs with a lot of crumbling rock, I followed him and found him sitting on the cliff edge. He pulled me to the ground and boxed me about the ears for risking his life and limb, scolding me for what he called the loosest route he had ever done. But he was laughing, and we ran back in perfect humour across the unmarked beach.
He needed the simplicity of that conflict and he was still generous and endearingly funny as he endured with dignity the ill-health of his final years.
He is survived by Valerie, their two daughters, Helen and Zoe, and four grandchildren.
• Joseph Brown, mountaineer, born 29 September 1930; died 15 April 2020
BLOG ENTRY 9/APRIL/20
OK so now we are under lockdown in Bermuda which means we have to get outside climbing fixes virtually. Here is a video of Steve McClure onsighting Nightmayer, E8 6c, on Dinas Cromlech in Wales. This is, literally, the best route I’ve never done. In 1991 when I was a Junior House Officer in Ysbyty Gwynedd I tried this several times but never made it through the crux which is the move where he brings his left foot onto his left handhold and then uses a sidepull to reach the skyhook placement. There is also a poor number 1 wallnut placement in that left handhold that he misses, although this might have since disappeared. The wire placement that he does place, below this, hadn’t been unearthed when I was trying it and my next gear was on the girdle ledge.
The line had been tried by Paul Pritchard amongst others and I knew it was on the radar of the strongest climber operating in Wales at the time: Steve Mayers. I felt like I’d got close but there was no cigar and when I returned from a two week overseas trip I immediately went to the Cromlech and soloed up Spiral Stairs. My heart sank when I saw the wet seeps were bone dry and there was lots of fresh chalk on the route. I quickly discovered that Steve had done it. He initially named it ‘Altared Images’ and then changed his mind, and the route name, to the much better Nightmayer.
Here is the text, plus additional photos, of what I wrote about Steve in my book The White Cliff:
The Crankinator by Grant Farquhar
It Doesn’t Feel Pity, Or Remorse, Or Fear, And It Absolutely Will Not Stop, Ever, Until The Route Is Conquered
Back in the early 90s I read some route descriptions written up in Pete’s Eats by a guy called Steve Mayers. He had burst onto the North Wales climbing scene, seemingly out of the blue, with a string of impressive first ascents of hard sport routes on the Little Orme. Who is this guy and where had he come from? My suspicions were first aroused when I observed the way he climbed. How did he climb?
Like a machine. A climbing machine.
If A Machine Can Learn How E Grades Work, Maybe We Can Too
I came to know him, and after climbing a bit in Wales, we went to the Alps. We warmed up on The Brandler-Hasse and proceeded to climb routes like The Fish, Hannibal’s Alptraum, the American Direct and Gulliver’s Travels. He systematically crushed all the pitches with ease and seemed bulletproof and invincible. I rarely saw him struggle, he never seemed to have a hard time and hardly ever fell off seconding. The bastard.
‘How did he climb so well?’ I wondered. The first clue came when he divulged that his home town happened to be Plymouth. A city that also happens to be the home of the biggest nuclear military naval base in Europe. A coincidence? I think not. My imagination conjured up a fiendish scenario: could there, perhaps, be a top-secret military climbing-android division? We’ve all seen the likes of Blade Runner and Robocop. Born in Plymouth? Manufactured in Plymouth more like.
I Need Your Underpants, Your Rockshoes, And Your Transit Van
Unleashed on the local cliffs at Berry Head, he had laughed in the face of the measly offerings there and produced Cocoon, a towering E8. Invading North Wales next, the half-man, half-machine did the first ascents of the ultimate remaining unclimbed lines on the prized, precious cliffs: unfeasibly hard and magnificent superhuman routes like Nightmayer, Overlord and Extinction. Could this hypothesis explain why these climbs have seldom been repeated?
Come With Me If You Want To Climb
Further signs emerged over the years. For example, in Pakistan where we climbed on a big wall at 6,000m; unlike the other members of the team, Steve was strangely immune from altitude sickness. Additionally, I noticed he never seemed to need to crap off the portaledge. Constipation? Well, has anyone ever heard of an android needing a shit? I don’t think so. More likely powered by dilithium crystals, or something.
No wonder he managed to get up that desperate final F7c+ pitch on that wall in Madagascar and all those onsight E7s in Pembroke. No one saw him build that climbing wall in The Beacon. It’s not surprising that it went up so quickly, probably he built it superfast, in a frenzy of blurred arms and legs, like the Six Million Dollar Man on Crack.
Putting the pieces of the puzzle together, you don’t have to be Sherlock Holmes to draw the inescapable conclusion: Steve Mayers is The Crankinator. He’ll be back.
BLOG ENTRY 28/3/20
We’re not in lockdown in Bermuda (yet) but people are urged to forgo all non-essential travel. So I’ve been at home all day and already completed my finger board routine. If you are in a similar position and looking for a long read then here is an essay I wrote around 2002 and which, I think, was published on the now defunct Planet Fear website.
THE MYTH OF SISYPHUS by Grant Farquhar
This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself forms a world. The struggle itself toward the heights is enough to fill a man’s heart.
Albert Camus. The Myth of Sisyphus, 1955.
I. WHY CLIMB?
Chris Bonington called his autobiography I Chose to Climb. This choice was one that shaped and effectively defined his future life in a fundamental way, determining his profession, passions and friendships. I’m interested in how much of that choice arose from the exercise of his own will as a free agent at liberty to choose, and how much of his choice was determined by outside circumstances beyond his control such as genes, parents, upbringing, peers and cultural pressure? Was his perception of a choice the truth or an illusion. If he was incapable of choosing any other path then this was not a choice. If he was indeed able to choose, then why did he make this choice? Do we choose climbing or does it choose us. I would like to know why exactly does anyone bother pursuing such an absurd sport.
Patch performing a skidmark of the beast. Photo Grant Farquhar.
Absurd? Climbing is absurd. It seems absurd to me, on face value, to spend your leisure hours dangling by your fingertips from a cliff face in a position where you risk injury, sometimes serious injury and even death. Why on earth would anyone choose this? What makes the suffering on those cold alpine bivouacs worthwhile? Why risk death? The most elegant answer came from Mallory when referring to Everest: ‘Because it is there’. But this is merely an elegant smokescreen. After all, what makes an 8000m peak more valuable to have climbed than a 7999m peak when they are both ‘there?’ It is not that extra metre. Why are first ascents more enjoyable and considered more important than the hundreth ascent of the same route even though the moves and the physical act are one and the same?
To put it another way, have you ever wondered why you are so fucked up that in order to enjoy yourself you have to go and scale a cliff when other, presumably more normal and better adjusted people can go to the garden centre on a Sunday? Why can they enjoy beach holidays and you could not? What makes you different from them? Or that is maybe an arrogant assumption on behalf of myself and there really is no qualitative difference between climbers and non-climbers, merely one of degree like comparing the hero of Homer’s Odyssey to the one of Joyce’s Ulysses.
Returning to the original question; Why climb? Familiar responses to this question include the following:
I simply enjoy the exercise that climbing involves.
It is the movement over the rock.
I like being outside.
I enjoy being in the natural environment.
I meet all my mates at the crag and down the wall.
The satisfaction derived from performing at one’s limit and mastering a difficult problem.
I like the feeling of going where no-one else has been.
In my opinion, climbing whilst incorporating all of the elements described above transcends them, being more than the sum of these parts. It is more addictive than heroin for reasons more complex than those described above. After all, none of the reasons given so far really explain why we should want to head-point an E9 rather than go for a nice walk along the top of the edge. Or climb a harder rather than an easier route, or a dangerous over a safe climb.
I am fascinated by my own motivation to climb. I have asked myself time and time again: why do I want to climb? There is no doubt that climbing is massively enjoyable and gives me tremendous pleasure but why do I derive my enjoyment from this pursuit which is so addictive and takes up all my time. It even governs where I live, who my friends are and interferes with my career and relationships. Why couldn’t I have been into something safer and more convenient, say netball? This issue becomes particularly acute when someone is injured, or worse killed whilst climbing. What is the value of pursuing a sport in the face of such extreme risks. There must be some considerable reward. But what exactly is the nature of this nebulous reward and how does it influence our will? As in the rest of our life, we frequently do not know our own motivations and are prisoners to what we cannot understand.
Seb Grieve on the first ascent of Moscow Mule, Cuba. Photo Grant Farquhar.
I am interested in considering why we climb at all, but in particular why we are driven to climb harder and more dangerous routes, particularly first ascents and the role of the magazines and media. For example, no one would deny that doing the first ascent of a climb is more enjoyable than repeating it. I am interested in what contributes to making it so. The factors involved could be from inside the person; genes, personality, brain chemistry and so on. Or imposed through external pressures that are social and cultural like the media. I will attempt to outline some of these factors in the next three sections.
Psychology would have several angles on attempting to explain the motivation for climbing. Freudian theory would focus more upon our unconscious motivating factors and instinctual drives which would be considered more powerful than the exercise of our conscious will. Basic psychodynamics would attempt to make links between our early childhood experiences and our later adult behaviour. An example of this from popular culture is the film Vertical Limit. In the opening scene, the Father is climbing in a rope of three with the son and daughter. They are involved in a fall and the son is forced to cut the rope between himself and the Father. Besides demonstrating the popular cultural penetrance of Touching the Void, this killing of the Father by the son is a modern day re-enactment of the Oedipus myth. Something that is elaborated on at length in Freudian and post-Freudian theory. In response to this, the son rejects the paternal role model and shuns all future climbing, becoming a wildlife photographer, whereas the daughter over-identifies with the Father to the extent of becoming and living her life as a professional climber.
Freud said, ‘where there was Id there shall Ego be,’ meaning that the deep unconscious processes of the mind need to be brought into conscious awareness in order to effect a change in behaviour. Through understanding the deep seated and underlying personal reasons for pursuing a particular behaviour then greater awareness and control of this could be exercised. Having a greater understanding of the reasons behind the pursuit of an activity could lead to a closer examination of one’s own motives. Having more insight into these may lead to a greater exercise of caution and discretion in the face of pursuing a goal that carries extreme risks. This may mean that someone could be “cured” of doing death routes before either maturing out of it or in fact dying. It is of course a vexed issue and a parallel is that if the mental illness of Vincent Van Gogh was treated then he may not have shot himself dead but he also may not have produced those painted masterpieces of the last two years of his life which were his most prolific.
Anarchy in the UK, 2002. Photo Grant Farquhar.
Inadequate Paternal Role Model
Returning to the Oedipus complex, a common feature of men who are drawn to adventure sports such as climbing, adventuring and exploring, especially polar explorers does seem to be a poor relationship with the Father. It seems to me to be very common when reading life histories, interviews or obituaries of such men to read about a strict Victorian cold and distant Father who gave no praise and for whom they were never good enough. Or for there to have been an absent or somehow inadequate Father figure. An explanation for it may be that the son, who never received praise from the Father, is driven to increasingly extreme performances in adult life in an attempt to win that approval from his peers. This individual feels compelled to publicly demonstrate their personal worth and esteem through the pursuit of extreme exploits. The gaining of recognition through the sport could be equated at some level with winning the love they never received as a child. Their self-esteem is bound to that activity. However, they may never feel satisfied with their performances or valued as a person.
Against this theory is the hypothesis that a temperamentally strong minded, individualistic and defiant child could lead through a circular process (of the child affecting the parent affecting the child) to the parent behaving in a cold and distant manner. Therefore the perceived parental inadequacy could be a product of the child itself or more likely a combination of the two acting upon each other. Unlike Freud, we should perhaps not be so quick to blame our parents and in contrast, in sports less dangerous than climbing, research indicates that high achievement motivation in kids in sports is associated with parental praise, encouragement and rewards. I do think though that climbing is fundamentally an anarchic enterprise conducted by rebels who have found a cause. Oedipus was also a rebel.
A further theory worth considering is that of the inferiority complex. Overcompensation in one area of life e.g. excelling at climbing could be a result of the individual perceiving themself to be inferior in another area of the personality. It does not matter that you are ugly, lacking in social skills and repellant to the opposite sex as long as you can climb E7. Ring any bells, the bells?
The secret of knowing the most fertile experiences and the greatest joys in life is to live dangerously.
Nietzsche. Thus Spoke Zarathustra.
Kelvin Briscall about to fracture his spine. Photo Grant Farquhar. There was a doctor on the scene but unfortunately for Kelvin he was a psychiatrist.
Freudian theory depends a lot upon the elaboration of instinctual drives. One such drive is the death instinct or ‘Thanatos’. Climbing with its inherent risks could be seen as an enactment of the drive towards death. In muslim countries climbing is seen as a suicidal pursuit. In the same theme is the idea that through climbing and the flirtation with death, one is rebelling against biological inevitability and exerting inverse control over one’s own mortality like Achilles or James Dean.
Life is impoverished, it loses in interest, when the highest stake in the game of living, life itself, may not be risked.
Freud. Our Attitude Towards Death.
As climbers we are indeed building our houses on the slopes of a volcano. We never seem to feel so alive as when we are close to death.
Perhaps climbing provides us with those savage and primal experiences that we crave and that are lacking in our modern sanitised world with its comforts, insurance policies, seat belts, traction control, air bags, ABS, television and conservative western attitudes to risk and death.
Religion, spirituality and post-modernism
In the modern period, our increasingly secular civilisation has experienced the death of God and the substitution of science with its own fathers such as Darwin, Marx, Freud and Einstein. The failure of those scientific meta-narratives and the advent of post-modernism have led to the spiritual crisis in the 21st century. At the risk of sounding like I’m talking bollocks, in (post)modern man’s search for a soul and the quest for a meaning to existence could we perhaps be worshipping at the altars of the god of climbing as our transcendental object? For atheists anyway, it is possible that climbing and pursuits like it have taken over some of the role previously played by religion in our society. The obsession of climbers for climbing does often equal a kind of religious devotion and self-sacrifice. Maybe you should put ‘climber’ in the religion slot of the next census.
Charlie ‘Barnburn’ Woodburn versus Caveman. Photo Grant Farquhar.
Evolutionary theory attempts to explain human behaviour according to Darwin’s concepts of natural and sexual selection and in terms of the survival advantage of particular traits. Climbing in our society is comparable to the oft-quoted example of The Peacock’s Tail. How can such an obvious survival disadvantage as the tail of the peacock be explained by evolutionary theory? The tail is a serious pain to the peacock. It is large and unwieldy. It reduces his chances of escaping from a predator. It makes it more arduous for him to forage for food. It does not make it easier for him to survive. Why then do the genes that code for an impressive tail get passed on successfully? The answer is that the peahens dig it. They just love that sexy big display. The more impressive the tail, the higher up the pecking order and the greater success in the mating department. The genes that code for an impressive tail get passed on preferentially. Natural selection disadvantage but outweighed by the huge sexual selection advantage. They are sexually selected. Climbing could be seen as a similar display of genetic fitness. The message is; not only can I survive in this hostile world but I can also find the time to go and dangle from my fingertips off cliffs in my spare time. The harder the climb, the higher up the pecking order of social ranking, closer to alpha male and presumably access to higher quality totty. This operates at an unconscious level of course and it’s all a bit sad because ‘chicks’ don’t dig climbing at all. They think it’s weird, anorak-wearing and a bit sad, kind of like train-spotting with ropes. In addition, in the real world, women should dig ambition, material wealth and employment status in a man more than climbing ability, however in the climbing subculture, grade is how social rank is measured. As far as I can tell, Darwin had no idea how far this theory was applicable to female climbers.
No evolutionary account of behaviour would be complete without considering cheating. Cheating is a common strategy in competitive situations and confers an advantage when it is pursued by the minority. Does this or at least does the question of it exist in climbing? Anyone who favours a negative answer to this question may have impeccable personal ethics but should consider the Maestri controversy, the Cesen controversy, the John Dunne situation and Gary Gibson, amongst others before giving a definitive answer. The rewards for successful cheats should theoretically betray some of the motivations to attempt those goals in the first place. They do not include the physical or mental act of climbing, personal satisfaction or mastery. They include the rewards of having done a particular climb in the eyes of others, the kudos, but not the rewards reaped whilst actually doing the climb. Not the movement over the rock or the exercise or being in a wonderful place etc. Our achievements whether genuine or not are never purely personal. There is no such thing as a purely personal goal or achievement. They are always within the public domain. We never act without reference to or in isolation from the greater cultural sphere. No man is an island. Otherwise why would it matter to us whether someone else cheats or not? If you still disagree then consider this. You make an on-sight flash repeat of a new E10. Fantastic. Next day all your mates do it as well. Great. Later, all your mates’ girlfriends, their mothers and grandparents also complete ascents. Far-fetched perhaps but how much of a personal achievement would you still consider that ascent to be for you. As USA chess grandmaster, Bobby Fisher said in an interview: ‘it is not enough for me to win, everybody else has to lose as well’.
Charlie ‘Barnburn’ Woodburn having a Coronary. Photo Grant Farquhar.
E6 6b, 7b+, IX-, 5.12c, 26, A2, Scottish VS, Font 7a, V3 etc.
Have you ever wondered what the purpose of grading systems in climbing really is? Look at the plethora of grading systems, grade comparisons, graded lists etc. There is endless controversy over the grade of a particular route with overgrading, undergrading and savage downgrading. No country exists where people climb without a standardised and objective system based upon consensus opinion for directly comparing one person’s abilities against the other. Can anyone state with any kind of credibility that climbing is not a competitive sport, that they are not competing against other climbers, or that they are competing against themselves or laughably ‘the rock’? No magazine photo exists that does not caption the grade of the route depicted. How would an anthropologist regard this? Is this not a naked competition for social ranking and status? An alternative but far weaker explanation could be that people who are very motivated to achieve tend to be preoccupied with their performance and their level of ability. They prefer tasks that have clear outcomes and the grading systems in climbing provide a clear and quantitative measure of this. This may be true but only grades provide a standard for comparing one individual against the other, that is unless they actually climb on the same route, as in a climbing competition.
But what about the differing sub-specialities within the climbing genre? What possible differences could there be in motivations between them. The spirit of adventure and exploration is awakened during first ascents which have a romantic appeal. Alpine and Himalayan Mountaineering and Big Walls are examples of the art of suffering. A strong masochistic vein runs through these climbing disciplines. Climbers just love to suffer, or so it seems. This does beg the question that if it were not for the sublimation of our perverted desires into climbing would we all be down the local torture garden having nails hammered into our penises because we have been naughty, naughty boys. Haven’t we? Dangerous, serious traditional routes are specialised in by weak climbers who are not strong enough to be competitive at safer forms of climbing such as bouldering and sports climbing. To assert that strong climbers do not climb dangerous routes would be wrong, especially when you consider headpoints on grit but it does seem that the strongest climbers do not climb serious routes. Because they do not need to. Soloing, whilst undoubtedly the purest and most free form of climbing is also the most dangerous. Many renowned soloists have died climbing. It has the highest rewards and the highest risk. A criticism could be that this is the most blatant example of the peacock phenomenon in climbing. Is it not an amazing coincidence that whenever a dangerous solo happens to be undertaken for whatever deep personal reasons, there often seems to be a photographer lurking about ready to immortalise the ascent for the magazines. It is the kind of climbing most notorious amongst the lay public. How often have you been asked; “you don’t do that free climbing do you?”
Mikey Weeks enjoying Lobster, Mallorca. Photo Grant Farquhar
In sports psychology, the commonest given explanation for the motivation to climb is that climbers possess a Sensation Seeking Personality Type. People who score highly on certain dimensions of personality inventories are wait for it………..sensation seeking! And attracted to adventure sports.
The Big Tick
Personality traits that also seem to be associated with climbing are obsessional or anankastic traits. How many climbers have been stamp collectors, trainspotters, or birdwatchers? Like climbing they all involve an obsessional ticking mentality. There seems to be a male preponderence in this. Look at how many people lovingly tick or underline the routes they have done in the guidebook. Anyone who ticks their guidebook is probably obsessional in this and other areas of their life. Anyone who uses a ruler to do it definitely is
In the decade of the brain, it has been fashionable in scientific circles to explain all human behaviour in terms of genetics and neurochemistry. Climbing is no exception. There have been many articles in scientific and climbing magazines with complex theories usually involving serotonin, noradrenaline, dopamine, reward circuits etc. At the time of writing there remains a not inconsiderable explanatory gulf between chemical events at a brain level and conscious states or behaviour that may or may not be associated with them. The decoding of the human genome has not shed any light either. One thing that seems clear is that exercise releases chemicals such as adrenaline and endorphins which make you feel exhilarated and naturally high and result in exercise becoming addictive. Adventure sports arguably result in more intense and addictive experiences than others.
Climbing is a drug. Photo Grant Farquhar.
Cultural influences and social learning shapes motivation and varies strongly from culture to culture depending upon what is valued e.g. group goals vs personal distinction. Climbing as a sport has only really existed in our culture since Victorian times. Climbing as a means to an end has presumably always existed but not as an end in itself. Climbing as a sport would seem to be rare in so-called primitive cultures. Presumably, people are too busy surviving to bother with climbing up rocks for fun. Climbing does seem therefore to be a product of increased leisure time and was initially a bourgeois pursuit, being followed more by the upper classes rather than the lower classes in contrast to other more popular and proletarian sports such as football. Even today, it seems to me that the middle classes are over-represented and the lower classes under-represented in climbing.
There is no doubt that climbing is a male dominated sport, in fact I’m thinking about taking up netball. But why is climbing male dominated and why do women climb? Are female climbers in touch with their masculine side, animus dominated, gender role dysphorics, lesbians or what? Many of the arguments so far outlined apply mainly to testosterone-fuelled men. What about the feminist perspective? Is this yet another example of the suppression, discouragement and social and economic prejudice against women? Gender differences in achievement-motivation are said to appear at an early age. Many cultures with traditional gender role stereotypes discourage a need for achievement among women. These stereotypes may portray the pursuit of a sport like climbing as unfeminine and threatening to men. Whatever the role of testosterone, XY chromosomes etc, there do seem to be strong cultural reasons why less women climb than men.
Men Behaving Badly. Photo Tim Emmett.
As we move through the stages of life our personality (hopefully) develops and we hold different values at different ages. Worrying about your mortgage at the age of 40y may take precedence over climbing that E8 at the age of 18y, or vice-versa in some cases. A useful tool for examining the life story comes from structural linguistics. This attempts to reduce a narrative to the common structure that usually links it to a mythical archetype such as that of The Hero. Another example is the incest/patricide taboo alias Oedipus, which I have already quoted. In mythology and other literature, the hero myth follows a pattern similar to that of Homer’s Odysseus. These patterns recur so commonly throughout ancient and modern civilisations and cross-culturally that structural anthropologists such as Claude Levi–Strauss debate whether they represent instinctual patterns within the mind or are imposed externally by culture. The hero myth follows a predictable structure along the lines of the following. The hero has to leave his loved ones. The hero sets out on an adventure. The adventure involves all kinds of dangerous tasks which are completed with difficulty, eventually. The hero has a perilous journey home. The hero dies. Examples include Homer’s Odysseus which James Joyce’s Ulysses renders into everyday life. Che Guevera, Bruce Lee, Russell Crowe in Gladiator etc. The stage I am particularly interested in is the death of the hero. If you view your own personal climbing career as heroic then through climbing you leave the comfort and security of home and set out on your own little adventure and have all sorts of epics on the way. You continue on your climbing adventures but at some point the hero of your own personal voyage dies and you stop pushing the boat out and kind of retire or semi-retire. In your personal life narrative, the death of the hero is necessary in order to move on to the next, more mature stage of life. The hero may not die without a struggle which could represent a mid-life crisis. However, for some people the hero of their own personal adventures has nine lives or is indestructible. The hero never dies. They are compelled to carry on with their adventures and continue obsessing away on climbing when they really should at this stage be worrying about their mortgage.
For some people, climbing seems to be in their blood and they carry on enjoying climbing regardless of grade, first ascents etc. Perhaps they have achieved some kind of mystically enlightened zen state where the journey is valued over the destination. Everyone knows people like this, but they tend not to appear in magazine photos.
Charlotte Obhrai, Rainbow Bridge, Devon. Photo Grant Farquhar.
Man’s ideas, views and conceptions, in one word, man’s consciousness, changes with every change in the conditions of his material existence.
Marx & Engels. The Communist Manifesto.
Some of the commonest and most powerful motivations in our culture are economic. In the film, Vertical Limit, the Richard Branson style entrepreneur is motivated to climb a dangerous mountain for marketing reasons. Whilst professional climbers have chosen their career from the love of climbing, it must be difficult for them to ascertain to what extent financial incentives affect their decisions about which goals to focus on in climbing. With the advent of sponsorship, photo-incentive deals, magazines and advertising etc, this has become big business with vested interests. Whatever achievements are used for promotional purposes by the industry will inevitably colour the ambition of future generations who will aim to emulate these role models. Whose picture did you have on your bedroom wall when you were a teenager?
Homo-Erotica or Male Bonding? Photo Grant Farquhar.
Climbing as art
For those with an artistic temperament, climbing may be seen as an ongoing conceptual or performance art-form and a direct expression of the creative drive. There is a strong artistic process within climbing, consider the aesthetics of the movement, the parallels with more choreographed pursuits like ballet dancing and some martial arts. Climbing has inspired a massive literature. The photographing of climbers approaches pornographic proportions. Homo-Erotica? Check out all those muscles and bare chests. And these are in magazines that you hide from your workmates and read in the toilet! Whilst we are on the subject of masturbatory fantasies, John Redhead is the most obvious example of the artist as climber. Only an artist could get away with those route names at any rate. In terms of conceptual art then the act of climbing could be considered as art, the rock to be a canvas and the climbs to equate with artworks. I suppose if the lights going on and off can win the Turner Prize then Manic Strain should be in with a chance. If it is difficult to conceive of art without being within a frame or a gallery then I have also seen an installation in a contemporary art gallery in Sydney which consisted simply of a climbing wall and a video of people climbing up it. Through climbing and in our everyday life we are all artists and yet none of us are artists.
Deep water soloing in the Bermuda Triangle. Photo Grant Farquhar
Climbing is therapy
I have attempted to look at some of the reasons why we climb. Some or all of these factors as well as a myriad others that I have not thought of will affect us to a greater or lesser extent depending upon the person. For me, probably the single most important reason for continuing to climb is the powerful escape from the stresses of everyday life that climbing provides. It provides a place of asylum from the madness of modern existence, an outlet for pent up aggression and a source of reward and relaxation. Although, for most people, television does the same thing with a lot less danger. Hence the reason for writing this garbage in the first place. Some states achieved within climbing have been compared to those obtained through meditation. There is a Zen aspect to the focusing, self-hypnosis, automaticity and quiet mind obtained through climbing up rocks. Climbing can provide the meaning to existence that a person is searching for in their existential struggle with meaninglessness. To put it more prosaically, an obsession with climbing I would argue is far from unhealthy and brings with it considerable benefits in terms of improvements in mental and physical health through reducing stress, lowering blood pressure, keeping physically fit, avoiding obesity, reducing the chances of having a stroke or heart attack, avoiding osteoporosis etc.
Returning to Sisyphus, in Greek mythology, he was condemned by the Gods to the ceaseless task of rolling a big stone up a big hill over and over again. In a parallel with everyday existence that seems to be particularly applicable to the climbing way of life, the existential writer, Albert Camus imagined that instead of finding this a punishment that Sisyphus actually enjoyed this labour and the sense of purpose that it provided:
This universe henceforth without a master
Seems to him neither sterile nor futile.
Each atom of that stone, each mineral flake of that night-filled mountain,
in itself forms a world.
The struggle itself toward the heights is enough to fill a man’s heart.
We must imagine Sisyphus happy.
BLOG ENTRY 22/3/20
Working from home eh? Twid’s recent Facebook post about when he met Patrick Edlinger got me thinking about…
The day I met Twid by Grant Farquhar
It was that long, hot blue sky summer of 1986. I was 18-years old and camping in the Llanberis Pass below Dinas Cromlech. That day, resplendent in my navy blue Ron Hill tracksters with the red stripe down the side I was on Right Wall. Pete Whillance was my hero so I was wearing my Troll waistbelt – yes you heard that right: no leg loops. My second hand Scarpa Cragratz were on the wrong feet as the inside edges were completely worn through. The outside edges would do instead, I thought. Yes, I was young and dumb.
I was standing on Right Wall’s first resting ledge, which is below the crux, having just placed the only Friend I owned: a rigid stemmed number two and a half with a green sling. Little did I know that the crucial runner on the crux above was, in fact, a two-and-a-half Friend and my little friend should have been saved for higher up.
I made forays off my ledge up to ‘look’ at the crux which was a pockety wall in which every single feasible hold had been chalked which made for a bewildering sea of, mostly crap, chalked pockets hiding the crucial holds which I was failing to find. Inbetween forays, a girl with blonde hair – who I now know as Kath Goodey – led Cemetery Gates and her boyfriend at the time – who I now know as Twid – came seconding behind her. He made some light-hearted conversation, but probably had me, correctly, pegged as a clueless punter who was about to fail on the crux of Right Wall. Flail, fall and fail I did, needing to return the following year to settle the score when I stormed up it placing only four runners to prove a point. The point being that I was, indeed, young and dumb.
Later on I was to climb quite a lot with Twid in Wales and elsewhere. I think I only sandbagged him on a couple of occasions. Once on La Boheme at LPT when I told him that he didn’t need any wires for the crack at the top. Well – you don’t need any wires but there are placements for them. ‘Bastard!’ he shouted before mantelling the topout 15 feet above the last bolt and with a bomber, but empty, number 8 wire placement in front of his face. The other time was on UPT on a Ron Fawcett route called Body Torque which has a very frustrating final move to join Axle Attack. You fall off, pull on, do the move, think: that’s piss, only to fall off it next go. ‘Hey Twid that’s a good route,’ I said and then watched him red-faced and, indeed, frustrated lobbing off that final move repeatedly. He became one of the UK’s most accomplished expedition climbers and continues to pioneer high standard multi-pitch routes around the world. Here’s how I described him in The White Cliff:
Mike ‘Twid’ Turner lives, sweats, breathes, etc, climbing. A professional mountain guide for his entire working life, his working day is spent… climbing. Once he knocks off work he goes… climbing. His holidays are spent… climbing. He has pioneered many, many big walls ranging from the Arctic to Africa with everywhere else in between. His wife, Louise Thomas is also a mountain guide. Almost every route was already ticked in his Gogarth guidebook back in the mid-80s. He has since added numerous new routes and variations that make good use of the available spaces. In the process he has fondled more of Gogarth’s stone than anybody else.
The day I met Patrick by Mike Twid Turner
There are a few iconic images in your life that inspire you to greater things. For me this image was one of the first climbing shots/posters ever I put up on my wall. It was this shot of Patrick Edlinger climbing one of the first hard routes at Ceuse, in France. The clean wall, edge pulling, steep sports route inspired me to climb such routes. It optimised the pureness of climbing. At that time Patrick was probably one of the best climbers in the world. Certainly the most famous climber. The first real cragging books covered him climbing in places like the Verdon, Cimai and across the US.
So it was to my surprise at the ripe old age of 15 that I came across Patrick at The Breck. The Breck was my local bouldering area on the Wirral. One hot summer’s day, on a school lunch time, I was doing a spot of bouldering on the hallowed walls. Trying mostly not to get too much chalk on my school jumper and avoid landing on the previous nights broken alcohol bottles! When I came across a French man the spit of the man in this poster. I had done a spot of French, with Mr Geuarmour at school, so started a spot of friendly banter. So after a while he told me he liked croissants, which way to the nearest magazine shop and that he didn’t like escargot. He then told me his name was Patrick. Bloody hell it’s Patrick Edlinger I thought. His long straight hair, head band, perfect un-British tan, WB vest, a big pink chalk bag and some funny looking rock boots with a strange French sounding name, obviously all this gave the game away. We bouldered a wee bit together and I showed him around some of the best problems. He wasn’t bad but I was on top of my game and blew him away on the hardest problem on the Bluebell Traverse! I was a bit surprised by this (as I was only a sprog) and seriously thought him not quite as good as our local climbing hero, Lou Brown. But perhaps a bit better than Mike Owen, King of Pex. Still The Breck was the centre of world climbing, as far as we were concerned, and why not come all the way from sunny Haute Provence for the climbing experience of a lifetime.
After picking up my school bag, I waved goodbye to the world’s most famous rock climber and I headed off for some double maths and RE. I couldn’t wait to get home after school and dial all my chums up to tell them that Patrick had visited The Breck. It certainly made more of an impression on the gang than if the Queen was holding up the climbers on the Granny Rock lower 5b traverse. Well the news was passed from phone to phone, the smoke signals on the Wirral brought every pair of EBs out of all the broom cupboards on the local estates.
That very same evening it was shoulder to shoulder standing on the wet grass below the bouldering. I’ve never seen so many headbands on British climbers (till the first time I went to Sheffield and partied at the Lead Mill). The excitement was at fever pitch. Every Scouser was practising their party pieces and polishing up on all the sandbags. A chance to outclass the world’s best was on the cards. Unfortunately Patrick had moved on and didn’t appear at The Breck. Probably on a road trip of the great British bouldering venues we thought. Still he had been to The Breck. Why not!
Folk never believed my story, but it’s true as The Breck is the finest climbing venue on the Wirral. It was many years later when eventually I went to Buoux to see what all the fuss was about. All the Brits were lined up looking with binos and pulling on the bolts while shitting themselves at the next huge run out. I was generally puntering around, like most of the Brits, on some 7c+/8a on the Bout de Monde area. Struggling with the steepness, sunburn and heat. Watching the top climbers of the day do amazing things was pretty impressive. Didier Rabatooth, Stephen Glowach, Marc le Menstral, Ben go to the Moon and the Jerry Moffat show. All there climbing, posing and pulling like a tractor.
When suddenly Patrick walked around the corner (the real one) and stood next to my knackered old 40m Blue Water sport rope. He looked at me and with his best Franglaise asked if he could use my rope. I almost choked and said, ‘Of course mate’, if he felt he was up to it, ‘But please don’t fall off on it as it’s never taken any lobs before.’ Anyhow as expected Patrick floated up the route I’d been projecting for the last few weeks and with the occasional ‘formidable’ and ‘sacre bleu’ clipped the chains and casually lowered off. I think we chatted a bit about croissants and how fresh the bananas were that day ( the limit of my improved French).
Struck me he was a top chap, who took time to chat to the mere mortals like us unlike, I might say, many of the other superstars of the day. But the thing that struck me was his style on the rock. He looked the part; he just climbed effortlessly.
I used the very same rope as a washing line for many years after, hoping some of his magic would wash off onto us. I would like to think his style did, but his climbing definitely never made it.
BLOG ENTRY 21/3/20
Conditions were not great at The Great Head today, but with a Coronavirus lockdown and the end of the sport climbing season looming I managed to bluff my way up the Dead Man’s Hand.
The dead man’s hand is a legendary ‘cursed’ poker hand usually depicted as consisting of the ace of spades, ace of clubs, eight of spades and eight of clubs with an undefined fifth card, has appeared or been referenced in numerous works of popular culture including One Flew Over The Cuckoo’s Nest. It is thought to have been the hand which Old West folk hero, lawman, and gunfighter Wild Bill Hickok was holding when he was shot in the back of the head by Jack McCall on August 2, 1876.
DEAD MAN’S HAND 30m 5.10d
The protagonist of One Flew Over the Cuckoo’s Nest, Randle McMurphy, has a dead man’s hand poker hand tattooed on his shoulder which foreshadows his fate at the end of the novel. Follow Johnny Rotten to the Roost. Walk rightwards along the ledge to two threads. Clip into these and pull your rope through. Climb up and rightwards through the bulges past two threads with a long move to gain a handrail on the lip of the roof. When you clip the final thread, above, you will realise that you have been dealt the Dead Man’s Hand. Will this thin natural thread hold or will it blow if you fall? The gamble is yours to take. Climb the crucial headwall leftwards in a spectacular position to the top. Step left to the Root of Evil’s final two threads. Lower off these.
Grant Farquhar, Eli Cagen and Sam Shadbolt 21/March/ 20.
BLOG ENTRY 20/3/20
Happy Equinox. This is the time of year when it becomes increasingly unpleasant to sport climb due to the conditions and we switch to DWS. Here is an interesting post from the climbstat blog mining the 8a.nu database. From a personal perspective, when I was climbing well I would onsight 90% of 7b+ routes and 50% of 7c routes but the 7c+ onsight always eluded me despite coming close a few times and actually onsighting a couple of routes graded 7c+ that were subsequently downgraded.
My hardest redpoints were 8a although I rarely spent more than two days trying a route. So the difference between my hardest redpoints and onsights is two grades compared to the average of four grades at that redpoint level. Does that make me a good onsighter or a bad redpointer?
Every rock climber knows that a successful onsight is much harder than an ascent with perfect beta after rounds of projecting. An onsight means climbing a route successfully at the first attempt without prior information or rehearsal on the route. During an onsight, we might not know where the crux lies or how long the route actually is. In contrast, being able to learn about a route, to mentally accommodate to the hard sections, the rest points and footholds, allows us to reach our maximum performance during a redpoint ascent.
Most of us also have a good sense of the routes we typically can climb in a first attempt with or without prior knowledge or in a second or subsequent attempt. But it is much harder to guess how much more difficult, let’s say an onsight ascent is, compared to a successful redpoint ascent. We might know that Adam Ondra did Silence (9c or 5.15d), currently the world’s hardest route, after weeks of practicing specifically for that route. Adam was also the first to flash a route of the grade 9a+ or 5.15a (a flash means a successful ascent of a route in the first go with prior information, for example from other climbers), and he did three 9a or 5.14d onsight. Alex Megos, however,was the first to onsight a 9a or 5.14d, he climbed up to 9b+ (redpoint). Up to today, no one onsighted a route harder than 9a. But is the difference between 9b+ redpoint and 9a onsight an meaningful estimate of how much harder an onsight is? A first attempt without beta might be easier among lower-graded routes compared to the elite level. Here, we want to investigate this question in a quantitative way.
As in previous posts, we will therefore access the data of the website 8a.nu which provides climbers with the opportunity to save their climbs and view personal scorecards. A scorecard is simply an overview about routes achieved, the respective style and the grade among others. In this post, we look at the maximum onsight and the maximum redpoint grade of 8a.nu users who made their scorecard public. We focus here on climbers who climbed redpoint at least 6a or 5.10a or higher. The available dataset covers entries up to September 2017. This leaves us with almost 18,000 climbers.
How do the results look like? First, we take a look at the overall difference between the maximum (redpoint) performance and the maximum onsight performance. The following graph shows the distribution of maximum performance for each climber in our dataset by style. This kind of graph is called a violin graph. The wider the violin, the more climbers there are with a certain maximum redpoint or onsight performance. The average maximum performance by style is illustrated by the black point in the middle of the violin. The average maximum redpoint performance is slightly above 7b+ or 5.12c. This is partly due to the fact that we disregarded climbers who do not climb above 6a or 5.10b. Apart from that the average ability of active 8a.nu users is quite high. Climbers who do not climb very often don’t bother much about creating and maintaining a public scorecard. The corresponding maximum onsight performance is slightly above 7a or 5.11d. This indicates that the average onsight level is approximately three grades below the maximum performance.
Next, we want to investigate whether the results differ across the performance spectrum. For this purpose, we group all climbers together by their maximum (redpoint) performance on their scorecard. Now we look at the average maximum onsight performance within each group.
How does this grouping work and how did we finally calculate the average onsight performance? Let us take those climbers who sent 9b+ or 5.15c as maximum (regardless of whether they are included in the 8a.nu data). These are Stefano Ghisolfi, Alexander Megos and Chris Sharma (Adam Ondra is not included in this list despite the fact that he did three 9b+ because of his 9c redpoint). Alexander Megos did an 9a onsight while Stefano Ghisolfi and Chris Sharma onsighted up to 8c at maximum, according to Wikipedia. The onsight average of this group is therefore slightly below 8c+.
The following graph shows how the redpoint-onsight performance gap across all grades. On the x-axis, we have plotted the maximum (redpoint) performance. The y-axis shows the maximum onsight performance. If climbers onsighted grades similar to their redpoint performance, we would see a straight 45 degree line (indicated in red). The onsight performance is as one would expect, lower than the maximum performance and this is why the blue points are below the red line. It is apparent that the difference is small for climbers with a relatively low maximum performance and it widens for higher able climbers. This indicates that an onsight becomes harder the harder you climb. The average onsight maximum is 2-3 grades lower for climbers who climb up to 7a or 5.11d redpoint but it increases to almost 4 grades for climbers with a maximum grade of 8a or 5.13b (and still widens further). Interestingly, the gap again seems to be a little lower for the few climbers who can climb 9b or 5.15b or higher.
We have not considered flash ascents in this post. The reason is that there is almost no difference between the maximum onsight and flash performance in the 8a.nu data. The highest flash grades are higher than the average onsight grades but the difference is very small (ca. ⅙ of the difference between one grade or between 7a and 7a+). Personally, we think this seems surprising since a good beta might indeed give you valuable information.
BLOG ENTRY 18/3/20
Recently there was an interesting controversy around Said Belhaj’s ascent of Action Direct. This type of situation crops up every so often in climbing. My book The White Cliff has a section dedicated to this topic under ‘Ballpoint Ascents’. Andrew Bisharat’s commentary on his Evening Sends blog (pasted below) is well worth a read.
THE PURGE: LIES AND CALL-OUTS IN CLIMBING
December 16, 2019
When should we stop taking climbers at their words? It’s complicated …
If you spend enough time on social media—and, I can’t say this enough, you shouldn’t—you might be forgiven for thinking that our digital lives are subject to a version of the rules outlined in The Purge, the crappy dystopian horror film in which society permits all crime, no matter how heinous, so long as it’s done throughout a single night.
Whereas the Purge takes place just once a year, there’s a sense that our online lives are at risk of being destroyed at any moment. You could go to bed one night laughing about the last cat video in your feed and wake up to find yourself utter-fucking-ly canceled for being a sexist, bully, liar, or worse—all because someone decides to CALL YOU OUT for something that may or may not warrant such serious accusations, let alone the ensuing guillotine that’s swiftly administered by an undiscerning social media mob.
A call-out could be based on hearsay, misunderstandings, or secret vendettas. But it doesn’t matter because the effect is the same. We now live in a world where any person with a large enough social media presence can weaponize their following to turn their enemy’s life into a clickbait vortex of pain and shit, whether it’s deserved or not.
And if you are the target of this kind of attack, the vortex will swallow you up and turn your life into a passion play to be performed on one of Zuckerberg’s platforms. Act one is making the mistake of reading—or, god forbid, responding to—the comments. It only gets worse from there.
You will find that every one of your friends, people who you thought might stick up for you, are now too afraid to say anything at all on your behalf for fear of getting sucked into the vortex themselves. Fair enough. Employers will want nothing to do with this, of course. Hell no. You’re fired. You’re gone. At the very least, you’ll find yourself in diminished standing.
And soon you will realize that you are now brutally alone, abandoned by a community you had thought might come to your defense. But no. Turns out you’re just a cheap bit of entertainment for everyone else, who might protest in private, but who in practice sits back, thumbs through their feeds, and renders themselves gifs who eat the popcorn at your expense.
Climbing’s latest call out concerns Said Belhaj, a Swedish climber who was accused by the German photographer Hannes Huch of not sending Action Direct.
I wrote a profile of Said a few years ago for Rock and Ice magazine. We have taken trips around the world together over the years, to places like Spain and China, as well as a memorable trip to the Grampians with Chris Sharma. Since then, Said has stayed at my house on several occasions as he was passing through Rifle.
It’s hard to describe Said as anything other than eclectic. His interests are eclectic and go well beyond just climbing. Our conversations are never dull. He likes to talk about art, culture, and music. He speaks six languages fluently. He plays several really rare African instruments and is a particularly great percussionist.
His friends are eclectic, too. In Australia, one night we had dinner with Margaret, a sweet elderly lady who lives alone out in the bush, who Said had met years ago and whom he has kept in touch with as a pen pal for over a decade. (Who does that?)
Said is funny. He’s intelligent. He’s interesting. He’s different. He’s eclectic. I like Said a lot.
Of course, it was painful to see these accusations, based on nothing more than hearsay and conjecture, arise. There’s nothing worse than being called a liar—especially if you’re telling the truth. My first reaction was that it seemed out of Said’s character to lie about something like climbing, for which I know he has so much respect and passion. After all, Said is a damn good climber. I’ve seen him, belayed him. It’s not preposterous to think he can climb as hard as he says he has climbed.
And yet, it strains one’s credulity to read Hannes’ damning blog post or hear the questions raised concerning some of his other ascents, or even read Said’s own dismissive, somewhat self-immolating response and come away feeling confident that Said sent Action Direct.
Why would he do that?
Lying is a form of theft. It steals the truth from others. In climbing, lying not only robs us of the truth, it sometimes robs others of records they may hold. Mostly, liars rob everyone of their ability to be believed without question.
And yet, just as not all thefts are morally equivalent—e.g., being poor and stealing food vs. being rich and stealing because you’re greedy—not all lies in climbing are equally bad. Some lies are bigger than others. Underlying motivations matter, somehow. Does this impetus to lie spawn from a place of deep inadequacy? It’s hard to not feel sympathetic to a person like that.
I’ve often noticed that the biggest liars are often some of the most talented and best athletes—people who are perfectionists, who have achieved incredible things, but for whom their accomplishments are never quite enough. Their world-class abilities are their very alibis in the stories they tell. No one questions whether Ueli Steck, for example, could climb Annapurna’s South Face in 10 hours. But… did he?
Is the lying done to advance professional opportunities? It’s a bit harder to conjure sympathy here. In this situation, the liar is potentially taking a spot that someone else might deserve, who may be equally if not more deserving. People who lie often don’t see how their lies may hurt others. The worse liars are the ones who do and don’t care. There are certainly climbers like that.
I know that one of Said’s major sponsors stated something to the effect of, “We don’t even sponsor Said because of how hard he climbs.” In other words, Said is sponsored by this company not because he’s putting up 9c+ first ascents. It’s because of all of the other gifts he offers: his warm, interesting personality; his eclectic interests; his ability to inspire climbers of all backgrounds and diversities. It’s the whole package, not the singular ticklist.
I wonder if Said knows that his sponsors even feel this way about him? I know from our conversations that losing his sponsors was always a source of anxiety and concern for him. It’d be ironic if that anxiety, seemingly unfounded, caused him to make decisions that would jeopardize his professional career.
After Hannes Huch made his blog post and Instagram campaign raising questions about Said’s claimed ascent of Action Direct, media outlets began accurately describing his post as an accusation that Said was lying. Huch, however, took exception to this characterization and he posted a second Instagram with a felt-cute-might-delete-later smiley selfie in which he tried to characterize his call-out as being somehow more charitable and gracious than he was. That he didn’t actually just call Said a liar, and merely raised “reasonable doubts,” a distinction without a difference, if you ask me.
In other words, now that climbing media was reporting that Huch had accused Said of lying, Huch was somehow starting to feel uncomfortable being the guy who was willing to destroy someone’s reputation and career over what amounts to hearsay and conjecture.
This is bullshit of the highest order. When you decide to call someone out, you should stand by your accusation and not waffle and act as though you’re just gently and tenderly raising questions. Huch’s social media campaign to pose his “reasonable doubts” about Said’s ascents are nothing short of attacks on Said. He’s feeding the social media mob red meat, fanning the flames of doubt, and allowing the mob to do what it does best: destroy lives. That he seemingly wants to wash his hands of this and take no responsibility for the destruction of Said’s reputation and career is something I’m not willing to let go.
Because the bar for calling people out has never been lower, I think there maybe should be a consequence for the person who does the calling out, too. In this sordid mess, Huch reveals his character, too—as a guy who is willing to ruin someone’s life over conjecture and hearsay. Huch might be lauded for his courage to say what others have been thinking and whispering about over the past year, but perhaps in the long term, fewer pro climbers will want to work with him for fear that he could turn on them too.
Is this unfair and wrong? I don’t know. I’m not so sure it’s a bad thing that there isn’t some level of risk and blowback for a person making a call out. Due to the nature of social media today, in which an online mob often judges and sentences a person before they’ve even been given a chance to respond, and for whom no apology, however sincere, would ever even be enough to restore a reputation, having a higher bar for making an accusation might be a really good thing.
There are at least a few climbers out there who I can think of, with far bigger careers than Said, who are likely misrepresenting their accomplishments in unethical ways. Another way of saying this is that there are a lot of liars and bullshit in pro climbing. But these are just stories I hear, stories that other pro climbers tell me in whispers, in private.
People have suggested that I should be the guy who takes the leap and names these people publicly. But I’m not willing to do that because I don’t think hearsay, conjecture, and whispers are strong enough reasons to risk maligning someone’s character and career.
More than that, I want to live in a world where we take climbers at their words. Every time a lie is committed and even every time a call-out is made, it becomes a little harder to do that.
Daniel Woods and Carlo Traversi suggested on an 8a.nu forum that the bar for all professional climbers is set at uncut footage of any ascent—not just groundbreaking ones. It’s hard to argue with that, given that we all now carry 4K video cameras in our pockets. Perhaps team managers will demand that their athletes provide proof of their ascents as part of their sponsorships.
I really want to believe Said. In Australia, I belayed him on Punks in the Gym, the world’s first 5.14a. His first couple of times on the route, he hung all over it, and it looked like it wasn’t going to come together. Then, next go, he magically pulled an ascent off. It went from looking impossible to suddenly being done. There’s very good reason to believe that Said has sent every route he says he has sent.
But, if Said is lying about Action Direct or any other route, he should just say so, apologize to the climbing community, and go climb these routes with uncut footage of his ascent. He’s certainly capable of doing that.
I just wonder if the climbing world would be willing to accept an apology and offer a truly valuable member of our community a chance at redemption.
BLOG ENTRY 11/MARCH/20
The clocks sprung forward this weekend and we now have enough light to DWS after work. It was a beautiful evening on the north shore today.
BLOG ENTRY 7/MARCH/20
In the aftermath of a cold front it was 60% humidity today and good conditions at The Great Head. I had equipped the direct start to the second pitch of Three Sheets to the Wind which takes a steep, leftward slanting crack. The handholds, above the crack are in good, orange rock, but the footholds tend to be in the soft, unreliable grey stuff which makes for a somewhat strenuous and spooky lead. The name comes from the 1968 civil unrest in France and was suggested by Kyle Kaptain as a name for the route that became Johnny Rotten. The rock on these routes is suspect with a hard, brittle patina and an underlying sandy matrix. Don’t pull too hard on the holds.
SOUS LES PAVéS, LA PLAGE 25m 5.10c
This route takes the right-most equipped line and is a direct start to the second pitch of Three Sheets to the Wind. Climb past ten threads to the two-bolt belay. Grant Farquhar and Rob Sutherland, 7 March 2020.
BLOG ENTRY 29/2/20
These are the Titanium bolts that I have been using in Bermuda for the past few years.
BLOG ENTRY 1/FEB/20
With a cold front approaching and humidity at 50% (unusual for Bermuda) there were good conditions at The Great Head today. The 20 knot SSE wind was wetting the cliff with spray but this was being dried by the wind as fast as it accumulated.
I had my sights on the project that I’d equipped a couple of weeks ago which goes through the roof below The Root of Evil. First go, I fiddled nervously with my knot and climbed Johnny Rotten to the Roost. I then headed rightwards along the ledge to the threads marking the start of the new line. I pulled the rope through to reduce rope drag and then ventured above.
This part of the crag is high up and exposed. With spaced threads, it feels more like deep water soloing than sport climbing – you are simply going to fall into space – deep air? and then lower to the ground as there is zero chance of getting back on the rock from the rope.
So, figuring out the moves from the ledge, I clipped the first thread and then continued over the bulge to the next roof. A flake in the back of the roof was a tempting option to clip the next thread. It seemed OK as I hung off it as I pulled up the slack to clip. With full slack out and my finger about to push it through the gate of the krab, there was a SNAP! and I was airborne, stopping headfirst 40ft lower but still miles off the deck.
Loose hold? Actually, I suspect that Nurse Ratched jumped out and stuck a Thorazine injection into my butt. Next go, though, it was Nurse Ratched’s butt that got kicked.
NURSE RATCHED 30m 5.10b
Nurse Ratched, literally, overlooks The Cuckoo’s Nest. Follow Johnny Rotten to the Roost. Walk rightwards along the ledge to two threads. Clip into these and pull your rope through. Now aren’t you ashamed of yourself? The best thing we can do now is to get on with our routine. Climb diagonally leftwards through the roofs past two threads. Watch out though – your filthy hands are making my holds dirty. Crank the lip in a spectacular position to join The Root of Evil at it’s final two threads. Lower off these. Now, if you don’t want to take your medication orally then I’m sure we can find another way. Grant Farquhar and Rob Sutherland 1 Feb 2020.
Nurse Ratched is the antagonist of Ken Kesey’s 1962 novel One Flew Over The Cuckoo’s Nest. She is the embodiment of the evil that institutions can become when they are not subject to sufficiently independent scrutiny and migrate to a position of operating in the best interests of the staff rather than the patients. This remains as relevant today as it was in the 60s.
ROOT 666 30m 5.10a
A left-hand finish to The Root of Evil. Follow Johnny Rotten and The Root of Evil past three threads to the ledge. Step left on the lip and finish up the groove above. Grant Farquhar and Rob Sutherland 1 Feb 2020.
BLOG ENTRY 18/JAN/20
With a biting northerly wind there was very good conditions at The Great Head today.
BLOG ENTRY 15/JAN/20
There was plenty of activity at The Great Head last weekend.
Kyle Kaptain on Johnny Rotten. Photo Pebble.
JOHNNY ROTTEN 15m 5.10a R
For me the best rock is not what you play. Johnny Rotten.
The rotten canine on the left-hand side of the cave could do with a root canal. Unfortunately the rock in the first 20 feet is very fragile. Climb the rounded pillar left of the cave, steeply past three drilled in-situ threads, to The Roost. There are numerous spikes upon which it is advisable to place additional protection slings.
Grant Farquhar, Pebble and Kyle Kaptain 11 Jan 2020.
Kyle also checked out a number of the bouldering areas.
BLOG ENTRY 6/JAN/20
Marco sent me some pics of his and Laura’s recent visit to Bermuda.
BLOG ENTRY 4/JAN/20
Happy New Year. It was a beautiful day at The Great Head today. I met up with visiting climbers Kyle and Pebble who sailed in yesterday from Palm Beach, Florida.
BLOG ENTRY 28/DEC/19
Happy Holidays: the weather is still great for DWS. Here are two visitors from SE Asia who were at the crag today.
BLOG ENTRY 21/DEC/19
The Winter Solstice brought a nice, cold northeasterly wind – ideal for The Great Head.
BLOG ENTRY 13/DEC/19
Ben Silvestre wrote some superb pieces for my book The White Cliff. Here are some of his latest writings published on the Chalkbloc site.
BEN SILVESTRE – NOTES ON THE MARGIN
Ben eyes the next hold on his new route in the Ogwen Valley, North Wales: The Dispossessed (E7 6c). Photo: Jethro Keirnan
Onsight trad climbing is a funny business. It’s climbing in its simplest form, as it should be, without any of the nonsense which so often tarnishes the sport. When you’re not trying to push yourself, you just go outside and enjoy the movement, the landscape, the company. But simplicity isn’t always what we desire. If you want to break new ground, the key for most is incremental progress, carefully pushing your comfort zone. Could I get more pumped than this, and stay in control? Could I stay confident above fewer runners? Could I be brave enough to even try? Those are the questions we ask ourselves. Sometimes, when everything aligns, it all just feels easy. And then you know it’s time to really go for it.
My year started well, with a successful season in Patagonia. High levels of commitment on Fitzroy and Cerro Torre set the right cogs in motion, so far as the psychological side of climbing is concerned. In contrast to what is usual on those sorts of trips, we did a lot of bouldering in our down time, and it was refreshing to come back with a decent pair of arms, as well as a good head.
Of course, the brain called for a rest when we returned. I’m growing tired of the inherent danger of alpinism, uncomfortable with the selfishness of it all. So I set to work on a few boulder projects while I worked things out. Climbing the magnificent Wonderwall (7C) at Crafnant suggested that I was in better form than usual, and having relaxed my stress muscles a bit, I was soon ready to put a rope on again.
I wanted to do something different, to get familiar with a new place, far from the madding crowds of the Llanberis Pass. Tess and I recently bought a house above Bethesda, with stunning views of the Black Ladders and Llech Ddu. A traditional miners cottage, steeped in history, our home is situated in a hamlet which was a centre point for the Penrhyn quarryman strikes at the start of the 1900’s. I’m not so familiar with the Ogwen side of Snowdonia, so in conjunction with learning the history of the people who lived here, I was keen to learn more about the climbing too. Ever enthusiastic, Calum Musket was happy to show me around, and between bike rides in Braichmelyn woods, we pottered about on discreet crags which I’d never heard of.
After a few good days, Calum mentioned a project which Tim Neill had tipped him off about. Twid Turner had tried it back in the day, but never managed to lead it putting the gear in. We set off one morning, full of anticipation, and arrived at a perfectly smooth, ochre coloured wall. There were a couple of obvious lines, the right of the two looking significantly harder. We thought the crack line on the left might go without trouble, but the start looked bold and dirty so we decided to abseil in for a look. It soon became apparent that the route was significantly harder than we had anticipated, with strenuous climbing leading to a desperate crux. That first session we worked out all the moves, but we were a long way from linking them.
We returned a few days later in humid conditions, and it felt worse. Nonetheless, it was valuable time spent cleaning the route – the finger locks felt a little better each time we went up. But after that session we got distracted. Calum returned for a session with Luke Brooks, and had a good lead go, whilst I got sucked into another project elsewhere. It drifted away from my attention.
A couple of weeks later, I was ready to lead my other project, but on the day that it was meant to be, my partner cancelled. Thankfully, I had a second offer from Alex Mason – to go and try a new route with him in the Ogwen valley. Calum had mentioned that Alex knew about the crack, and I was intrigued to find out if that was his intent. Of course it was, and I headed up to the crack with him to see how he was getting on. We both struggled to make good links on a top rope, but I managed a lead go nonetheless, falling low on the route. A poor attempt, but the spell was broken, and the thing began to feel possible for me.
The following day I returned with Calum, who was keen to have another go before heading to the Alps for a summer of guiding. Calum went first and fell from the final move, millimetres from success. Shortly after I did the same, and Calum wondered whether to try again or not. After a good rest he went for it, and I could have sworn it was in the bag, but then he was airborne and that was it – he wouldn’t get another chance. Dropping him off at his house, he gave me his blessing to complete the route. If Alex hadn’t been on the scene I would have waited – I’m not in the business of stealing projects, and it had been a team effort so far. But this was too good an opportunity to pass up on.
Alex had a free afternoon the following Tuesday. It had rained hard the day before, and we were convinced that the route would be wet. But I headed up early to check, and Tess decided to come at the last minute. Surprisingly it was dry, and a cold wind promised good conditions. Warming up, the locks felt immeasurably better than they ever had done before, and I knew it was on. Sat at the bottom, I was nervous. I knew I could do it, but it would take every ounce of effort that I had. Eventually, I couldn’t sit there any longer. I’d wanted to wait for Alex, but the cold was pressing on me, and I knew that if I didn’t go soon I’d have to warm up again. This time, I arrived at the rest before the crux smoothly. The resting locks felt good, and I had a word with myself, reminding myself to dig deep. Latching the finishing jug, fully stretched out on poor footholds, it was hard to believe that I’d done it. But it was in the bag, and I was ecstatic.
Belaying Alex a couple of hours later, I was impressed at how easily he seemed to climb it, on his first lead attempt no less. He asked me what I would name it, but I wasn’t sure. Our move to Bethesda was facilitated in part by my grandfather’s sister, Ogwen, and given that the route was more or less in the Ogwen valley, I thought it appropriate to honour her with the name. A batty old Welsh lady, she’s recently been deteriorating into Alzheimer’s, though she deals with it incredibly well. I wanted to call it Ogwen is Cracking Up, or Ogwen has Cracked, but routes with similar names already exist.
With our move to the new house, which is a mortgage away from being ours, I’d been thinking a lot about possession. How lucky we were to have managed to buy that house, how unlucky the miners who once lived there were to be forced to submission, and often starvation, by the Lords of the Penrhyn estate. Similarly in these times, the misfortune of many people as they face the prospect of being forced away from the dream of a stable home in Britain, as the Brexit drama unfolds. How unlucky Ogwen is to be losing possession of her mental faculties. Perhaps I could honour them all with a name together.
The name came to me then, the title of a brilliant science fiction novel by Ursula le Guin – The Dispossessed. A book in which an anarchist race are forced to live on the moon of their capitalist overlords, a book which deals with what it means to have a home. To find a place with meaning, and to set roots there. To feel comfortable in one’s own mind, and retain the memories which allow us to belong. The name worked.
At the time, I also thought the name worked on another level – dispossession of Alex and Calum, who had also attempted the line. A little bit of banter, some harmless fun, but was I right? A fairly recent article on UKC, amongst a tangle of sometimes interesting, but often tenuous ideas, tried to claim that new routing, an activity which has historically been dominated by privileged white males, has always been primarily a colonialist activity, laying claim to pieces of rock.
Ben on The Dispossessed (E7 6c). Photo: Jethro Keirnan
In my initial write up for Climber magazine, I stated that the effort to make the first ascent of a safe, head pointed, single pitch climb was entirely about ownership, given that the experience changed little whether or not it was the first ascent. This was an off hand comment based on my other new routing experiences – deeply adventurous affairs in Alaska and the Himalaya. But the UKC article forced me to think about it in more detail, and I realise that I was wrong.
There is something beyond ownership which permeated the time we spent trying to climb that route. I feel it when I remember the initial sessions with Calum, when we stared at the route wide eyed and childlike. The way we carefully removed lichen and cleaned the finger locks, comparing techniques to make upwards progress as easy as possible. I feel it when I think about the sessions with Alex, mutually inspired to give the route everything we had. To be the best that we could possibly be, all the while not knowing how hard the thing actually was. And then there is the unique feeling of the first ascentionist, the feeling of grabbing the final jug, knowing full well that I was the first to do what I had done.
Of course, I own those experiences – they are mine. But they are also shared, with Calum, Alex, and Tessa. With Jethro, who took photos of us as we climbed, contributing in his way to the excitement of what happened there, without ever laying a finger on stone. We all have our place in that collection of memories, the conception of that line, we are a part of its history. Perhaps there is more in our experience than repeat ascentionists will find there.
In climbing that route, I gained the inevitable feeling of release which proceeds the fulfilment of intensely-felt desire. Does that make me a bad person? Did I feed a stereotype of white men greedily snatching first ascents from the wanting hands of the oppressed? Am I a colonial English monster for stealing the route from local Welsh climbers? Calum might agree on the latter, but in all seriousness, it didn’t feel that way to me. It felt like a good time between friends, enjoying time spent in the great outdoors. Relationships strengthened, memories gained, always pushing ourselves a little further. Certainly we didn’t harm anyone in doing what we did. But all of that feels distant now. Completion of that route left me feeling that a door had been opened – that the realm of possibility was larger than it had been before. I was ready to test myself in the real world of on sight climbing.
Ferdia Earl was the perfect companion to do so. We headed to Gogarth, where Ferdia cruised her first Main Cliff E5 – Citadel. Having climbed the route before, I opted to climb Ramadan as the second pitch, an intimidating wall which I’d been told felt nigh on E6. Jamming my hand beneath a flake on the crux, I gritted my teeth and tried to ignore the pain of a spike pressing on a nerve. In a moment of panic I almost stopped climbing, but I slapped to a good hold, and pulled myself on to the ledge above. Pins and needles coursed through my fingers, but despite the pain, I’d engaged my capacity to try hard in the face of the unknown.
A few days later, we descended into Yellow Walls. It was early still, and the greasy first pitch of The Cow put up more of a fight than it might have done, but not enough to stop Ferdia. We moved the belay down to the right, and I stared up at the final pitch of Me. Stories of a detached block after a pitch of intensely pumpy climbing had my nerves up.
‘Looks perilous,’ said Ferdia, and I nodded. Perilous indeed.
The initial looseness forced me into that place of perfect concentration, which doesn’t come often. An age placing a web of gear made me feel that I could go for it on the crux, and steep pulls up flakes landed me at a rest above. I thought it was in the bag, but my arms failed to soften, and my heart just wouldn’t slow. Yellow Walls – it comes with a guaranteed dose of over exposure, how could I forget? Above, I made micro movements on less than adequate holds, bridging wide at every opportunity, to take some strain from my arms. It seemed that all was lost, but I made a desperate move left, craving jugs. Thankfully what I suspected proved to be true, and I shook the pump away, wobbly block in sight. Before long I was on the top, gasping for air, and sighing with relief. I’d managed to push the margins a little further.
That afternoon, we headed to Upper Tier, and slapped our way up Strike, in a state of exhaustion. But it took us to where we wanted to be – an abseil station above Barbarossa (E6 6b). Checking the route for gear, we were pleased to discover a stainless peg, bringing the route back to it’s original state. It looked safe enough, and we decided to come back with fresher arms.
The following weekend I returned with Tess, keen for the lead. I was going to warm up on Strike, but then Tess decided she wanted a go. Tess hadn’t been too bothered by climbing lately, and a pumpy E4 would be a good lead for her if she had, but nonetheless she was up for it. I handed over the reigns enthusiastically, and was proud to see her dispatch the route in style, though not without a battle at the top. I wish I had that sort of ability, off the couch. But she was inspired, and sometimes that’s all it takes – perhaps what I said earlier about incremental progress isn’t true for everyone.
After doing Strike, I had a rest and geared up for Barbarossa. With a huge rack on my harness, I was ready for the big fight. The route is steep off the deck, and I was pumped by the time I placed the high wire, which protected the crux when the old peg was gone. The new peg was just out of reach, and I had had to make fierce moves to clip it. It looked like there were a couple of options for progress – out left to reach pockets in a couple of moves, or straight up on smaller holds for longer, but potentially less scary. I committed to the direct method, gurning my way up tiny holds, and was soon pleased to find myself at some respite and gear. But my forearms were burning, and I was only a quarter of the way up. The battle starts now, I thought. A few more technical movements landed me above the overlap, and a change of angle. Surprisingly, I could get almost all of my weight on my feet, and my arms recovered. I kept going steadily, rain threatening over at South Stack, and was shocked to find my arms getting less pumped as I made upwards progress. Soon I was at the top, pleased that both Tess and I had managed to push ourselves, and we made a hasty retreat as the first big raindrops began to fall.
Unlike Me, which had been a huge fight, Barbarossa had passed fairly steadily, and immediately I felt that I could climb something much harder. Sometimes I suffer from what I call consumer climbing, the insurmountable desire for another route always gnawing at the back of my mind. During those times, an addiction to the feeling of being pumped and exposed takes precedent over the forming of valuable experiences. But this wasn’t that feeling, this came from somewhere far less muddy – I knew with clarity that it was time to try something truly testing. My motivation was coming from the right place.
I messaged Calum asking for ideas, and was happy to see a couple of things I’d already thought of on his list. A message from Luke Brooks, asking if I was free the following Saturday, seemed to line things up. We settled on Glyder Fach, a crag I’d not been to before, and soon enough we were warmed up and stood below Kaya (E7 6b). A fairly unknown route in the wider world, but with enough of a reputation amongst locals. Better climbers than me had failed.
It took a long time to find a good enough position to place the rattling half in wire, longer still to make the moves onto the front face. I wasn’t sure if I wanted to commit, but went up for another look, and suddenly the holds felt better. I rocked around the arête, and stared the peg in the face. Moving up tenuously, I managed to clip it with a stiff quick draw Luke had given me, and hastily clipped my rope. The moment it was clipped, the feel of the route changed completely. Many more pegs lay above, and where moments before I had been climbing with a big reserve, I now felt like I could give the route everything I had.
More hard moves gained a rest, and then I was undercutting rightwards around the steepening. The climbing became markedly more strenuous, burly moves leftwards leaving me in an awkward position, where I had hoped to find something of a rest. But there was nothing, and the timer was on. Fingertips sweating, I clipped a couple more pegs, and searched for something to pull on. My feet skating on nothing, good edges barely out of reach, I was in a state of desperation. It was clear that if I didn’t move immediately, I would peel off limp, in a mess of anticlimax. So I stepped up and slapped with everything I had, screaming my way to freedom.
I was calm again when I reached the top, pleased to have fought the good fight. It had been close, and its always better when its close. But as I retrieved the gear, I realised I wouldn’t be satisfied if Luke didn’t climb the route too. He’d abseiled down it in the past, and decided that since he already had some knowledge of the route, he might as well have a look at the bold start with a rope above his head. Shorter than me, he was glad, as he had to use a much harder and less obvious sequence. But after a quick play he decided that he was ready. Some food and water, and then Luke was at the peg. But there he had a different problem from me – whereas the route had become easier for me when I clipped the peg, he suddenly had to transition from red pointing to on sighting. He made no big fuss about it though, and soon enough Luke was screaming his way to freedom too.
Ben approaching the base of Glyder Fach. Photo: Luke Brooks
Walking down, we chattered away, talking about the possibilities. I’d broken an old boundary, and a new world had opened with it. This wasn’t consumer climbing, this was a clear desire to push myself further, to see what I was capable of. To find, as John Redhead put it, ‘the margins of the mind.’
There must be people out there who are never satisfied – who always want another route. Who want to conquer and claim and tell the world how good they are. There really was a time when climbing was a colonial activity, for the pride of the nation, for fame. Perhaps in some places it still is. But that’s never been what climbing is about for me, and I think I feel the same as most of my friends. I love climbing because it provides an arena in which I can push myself beyond limits which previously defined me, and I can do it alongside people who are doing the same thing. The memories formed in those moments are immensely rewarding, they enrich and vivify my existence, and I would be lost without them. Everything that is meaningful to me has come from finding those moments in different aspects of my life, within and outwith climbing. And still, after all this time, it feels like I’m only scratching the surface.
BLOG ENTRY 12/DEC/19
Great video showing some of the DWS areas in the vicinity of Admiralty Park
BLOG ENTRY 12/NOV/19
Very sad news from Melbourne today: Andy Pollitt’s life support machine was turned off today following a cerebral haemorrhage at the age of 56. I haven’t seen him in person for many years but he gave a lot of welcome input into my book The White Cliff and was in touch just last week. Here is his bio from the book:
‘During the 80s, Andy Pollitt looked like a rock star, partied like a rock star and climbed… like a different kind of rock star. “Disco leg” was definitely not part of his repertoire. On both trad and sport, from the Peak District to North Wales, he was at, or beyond, the cutting edge of standards. He was also single-handedly responsible for introducing Lycra to the sport.
After emigrating to Australia in the 90s, he famously kicked his climbing addiction on the day he finally sent Punks in the Gym. Read his superb book for descriptions of his risky and frequently risqué exploits back in the day, along with his more sobering struggles with the travails of age and mood disorder.’
BLOG ENTRY 08/NOV/19
The strange fruit on the tree in my garden comes from projecting DWS.
BLOG ENTRY 19/OCT/19
RIP Miquel Riera 1963–2019 Godfather of Psicobloc.
Obituary below by Daimon Beail from UKClimbing.
Miquel Riera, The Godfather of Psicobloc – An Obituary
Mallorcan Deep Water Soloing pioneer Miquel Riera, 56, passed away after a battle with cancer on 9th October 2019. Daimon Beail shares a tribute to him.
Miquel Riera was known as ”the godfather of psicobloc’ and was one of the key figures of the Mallorcan rock climbing scene. Miquel eventually became a household name when the words Mallorca and climbing were mentioned in the same sentence.
Born in 1963, Miquel was only 15 when he first stepped onto the climbing development scene in his experimentations with extended boulder problems over the sea at a venue called Porto Pi in Palma. It was 1978, and growing up in an era with no internet and no online communities, Miquel found it difficult to spread the word. As a result, his psicobloc developments went relatively unnoticed for twenty years, even though his discoveries were perhaps world-class and significantly ahead of their time.
It wasn’t until 2001 after an email to Tim Emmett that things stepped up a gear and Mallorcan deep water soloing was showcased worldwide in the form of Cova del Diablo (now perceived as being the world’s best deep water soloing venue), where Miquel played a key role in development. Over the years Miquel struck up many friendships with climbers from around the globe who were eager to get involved and experience Mallorca psicobloc for themselves. In particular, Chris Sharma and Miquel developed a special bond and have remained close friends ever since Chris’s first visit to the island back in 2003.
Perhaps the key moment for Miquel – and the moment his name hit the world stage – was when he showed Chris Sharma the famous arch of Es Pontas and the impressive line which eventually became the world’s hardest deep water solo in 2006. The documenting of this in the film King Lines took Mallorca to centre stage and Miquel and psicobloc became one and the same. Over time, the name psicobloc was adopted internationally, especially for competitions in the USA and Spain and it became the new word for Deep Water Soloing.
In Miquel’s passionate pursuit of the sport, he also developed his own grading system, which functioned as a simpler, more open-ended grade system and took into account the difficulty and height of the crux move. Although this did not enter the public domain, the essence of this grading system can still be seen in his 2007 guidebook Psicobloc Mallorca, in which the height of the crux still remains. Miquel’s love for climbing also included sport climbing, so much so that he later went on to produce his own guidebook to the sport climbing found on the island.
It’s safe to say that Miquel’s legacy is very much evident in Mallorca’s popularity among sport climbers and those who visit for the world class deep water soloing/psicobloc found along the island’s coastline. The rich history of the island’s development has Miquel’s influence at the heart of it.
To many, Miquel came across as a passionate and at times comical person whose passion for the sport touched and inspired many people around the world. He will always be remembered as a revolutionary and pioneering figure in the world of psicobloc.
BLOG ENTRY 16/OCT/19
Calgary-based climbers Matt Halls and Mariela Morandi visited Bermuda at the end of September to DWS. Photos by Grant Farquhar.
BLOG ENTRY 25/SEP/19
Simon Richardson’s review of Crazy Sorrow on Scottish Winter
Book Review – Crazy Sorrow
Crazy Sorrow is a significant book. It documents the life of Alan Mullin who stands alongside Raeburn, Patey, Smith and Nisbet as one of great innovators of Scottish winter climbing. Grant Farquhar should be congratulated for not only describing the life story of this important pioneer, but also for capturing the spirit of a key period in Scottish climbing history.
Alan Mullin made an unconventional entry into the world of climbing. He joined the army at the age of 16, and spent eight years in active service before he retired due to an injured back. Without the constraint of a full time job, he was able to turn his considerable energy to Scottish winter climbing. After experimenting with some of the easier routes in the Northern Corries, he was leading difficult Grade VI within 12 months. He formed a strong partnership with Steve Paget, and in October 1998 (Alan’s third season), they made the second winter ascent of The Needle (VIII,8) on the Shelter Stone.
The following year Mullin and Paget upped their game a notch further and returned to the Shelter Stone to make the first winter ascent of The Steeple (IX,9) with the Dusk till Dawn Variation. The route was climbed in a single 24-hour push by climbing continuously through the night. Two weeks later, Mullin was in the headlines again with the first winter ascent of Rolling Thunder, an E1 rock climb on the Tough-Brown Face of Lochnagar. This was the first (and only) time a new Grade VIII had ever been soloed. It stunned the climbing world, not least because no other party made it into the corrie that day as the weather was so bad. Niall Ritchie’s long distance shot of Alan climbing the route with avalanches crashing down either side (reproduced in the book), remains one of the most iconic winter climbing photos ever taken.
The impact of these routes on the Scottish winter climbing scene was electric. It normally takes years of experience to acquire the spectrum of skills necessary to climb high standard winter routes, so how could a relative newcomer operate at the highest standards of the day? The answer partly lay in Alan’s rigorous training regime, but mainly in the total focus and unswerving determination he applied to his routes. As someone new to the Scottish winter game, Alan was unencumbered by the weight of history, and almost unknowingly smashed his way through psychological barriers. Many other climbers realised that they could also increase their performance, and over a couple of seasons in the late 1990s, average standards rose a full grade. No longer were Grade VIIs the province of the elite, but they were accessible by weekend climbers too.
Despite the inspiration Alan provided, he had an uneasy relationship with the climbing community. He claimed to respect no other climber’s achievements, but in effect, he deeply craved recognition by his peers. At first this was forthcoming, but eventually it became increasingly withheld as it was realised that the majority of his ascents were flawed. Several of his routes were climbed when not fully in condition, and others used a point or two of aid. Whilst Alan was always honest about the manner of his climbs, his enthusiasm to describe the intensity of his experience meant that he sometimes forgot to immediately relate all the details.
Alan was on a quest to find a Scottish climb that was comparable in technical difficulty to the hardest bolt protected climbs elsewhere. In November 2002 he fulfilled his dream when he made the first winter ascent of Crazy Sorrow, a difficult E3 6a on the Tough-Brown Face of Lochnagar with Steve Lynch. The route goes through a huge roof on the second pitch with scant protection. Alan graded it X,11 and suggested it was a contender for the hardest traditional mixed climb in the world. Unfortunately the gloss was taken off this remarkable lead by allegations that he had inspected the route beforehand, and climbed it when it was out of condition. Once the photos were published it was clear that the route was in bona fide winter condition, but once again Alan’s impatience had got the better of him and he had abseiled off after the crux pitch and failed to complete the route.
Frozen Sorrow was the last of Alan’s great climbs, and he announced his retirement soon after. He was clearly disenchanted with the climbing world for not recognising his achievements on his terms, but his body was also taking the toll from his intense training regime, and he was living with a series of chronic injuries. Alan found it impossible to control the demons that had driven him so hard during his short but remarkable climbing career, and tragically, he took his own life in March 2007.
Grant Farquhar has made an important contribution to Scottish mountain history by pulling together this account of Alan Mullin’s all too short and turbulent life. Crazy Sorrow is based on Alan’s writings, contemporary accounts by other climbers and more recent interviews. Grant skilfully adds colour to the climbing narrative with accounts of Alan’s tough upbringing and brutal time in the army that sets the context for Alan’s later climbing career. Grant is a professional psychologist and is well placed to explain the internal conflicts that Alan faced at the end of his life.
Crazy Sorrow is not a comfortable read, but it documents a vibrant and important phase of Scottish climbing. The tragedy of the Alan Mullin story is that Alan never recognised his profound influence on the climbing world. If he had, his life may not have been so troubled, and perhaps he would still be with us today.
BLOG ENTRY 4/SEP/19
Dennis Gray’s review of Crazy Sorrow on Footless Crow
Monday, 2 September 2019
‘Crazy Sorrow’. The life and death of Alan Mullin..Reviewed
BLOG ENTRY 24/08/19
Nice review of Climb de Rock on Bernews.com
These days, Dr. Grant Farquhar is a genuine Bermuda rock star.
But when the Scottish-born psychiatrist, an inveterate rock climber for decades, came to Bermuda in 2002, he was told his sport did not exist here.
“When I first arrived in Bermuda I was told that the rock was unsuitable for rock climbing and that anyone who tried was insane and going to die,” he says in the introduction to his book Climb De Rock. “This is an opinion I have come across before where there is rock but not yet rock climbing.”
Undeterred by the naysayers, Dr. Farquhar went on to blaze a vertical trail in the sport of rock climbing on the island, mainly scaling Bermuda’s waterfront sea cliffs.
Today, he is considered something of a one-man go-to resource on the subject.
He maintains a website on the Bermuda climbing routes he has identified and ascended; he has introduced numerous other local residents to the sport; and he even incorporates climbing therapy into his psychiatric practice.
And earlier this year, he published Climb de Rock, a good-humoured 208-page distillation of his can-and-must-do approach to rock climbing in Bermuda, as well as a practical field guide to the sport for local and visiting climbers.
Profusely illustrated with colour photographs and featuring maps throughout, the book details all of the routes Dr. Farquhar has determined are worth climbing in Bermuda [among his own favourite climbing spots are the sea cliffs at Admiralty Park in Pembroke and Great Head in St. David’s].
He also provides comprehensive information on route locations, access, equipment, safety precautions, and potential hazards.
Dr. Farquhar also includes historical background material on the climbing spots he has pin-pointed as well as, he says jokingly, “the low-down on topics such as sharks and après-climb locations.”
His sense of humour notwithstanding, Dr. Farquhar reiterates a very serious point throughout the book: rock climbing is not for amateurs.
“This is not a climbing gym: climb at your own risk,” he says. “Rock climbing is inherently dangerous. Even when doing nothing wrong, you can be killed or injured.”
He urges those climbers without either the experience or advanced rigging skills to avoid the more remote climbing routes included in the book.
Climb De Rock is available at the Bermuda Bookstore and on Amazon.
BLOG ENTRY: 27/07/19
Extract from Crazy Sorrow on Footless Crow:
Saturday, 27 July 2019
Alan Mullin…Crazy Sorrow: An Extract
BLOG ENTRY: 21/07/19
Joserra Flores Fray and Toru Dodo sampling the delights of Clarence Cove. July is hot and sweaty but the water is 85 degrees and very enticing. Photo Grant Farquhar.
BLOG ENTRY: 20/07/19
Andy Kirkpatrick has, very kindly, plugged my latest book:
20 JULY 2019
It always seemed like a struggle to come up with words to describe Alan Mullin – one of climbing’s greatest disruptors – mainly because he is dead, hanging himself in a jail cell in Scotland in 2007, and because many of the words I could use were never very kind, which is not odd really, as people who hang themselves in jail cells, more often than not, don’t leave nice words behind.
Churchill once said that a great man is a difficult man, which in Alan’s case must have meant he was a very great man indeed, and from the moment I met him, standing alone in a shell suit, at an international meet, so painfully working class in a sport that is not, I knew he’d be trouble, both to me and everyone he ever met, but also to climbing, a force – a dark force – that revolutionised British mixed climbing, but most of all to himself. He was in a place he did not belong and never would. Alan would always be an outsider.
So what words for Alan? He was a bull that escaped a tiny field and could never get back, he ran amok, a danger to everything and everyone, tradition, hierarchy, the status quo. But he didn’t want to be that way, it was just his nature. What he wanted most was to be tamed, to be accepted, to be loved and respected and admired, the people he said he’d like to kill, his mortal enemies, the ones he wanted to be loved by most of all (his heroes). But if you’re born a bull, on a Glasgow housing estate, you may be able to stand and be still for a little while, be passive as a cow, but you’ll always be a bull. You can never escape what you really are.
People talk a lot about suicide and depression these days, it’s very trendy, maybe because we really misunderstand ourselves, have our settings set too high, also, many are just poseurs, weakness is strength, that to be strong and defiant in the face of such 21st-century indulgences as depression and self-murder is seen to be somehow toxic. But Alan’s suicide – I think – was the act of a man who – although difficult and great, infuriating but enriching, scary but kind, hard but soft, invincible but vulnerable – was the ending of a life that could not sustain so many contradictions.
For those interested in knowing more about Alan’s life, Grant Farquhar’s book ‘Crazy Sorrow: The Life and Death of Alan Mullin’ is released in August.
Andrew Kirkpatrick is a British mountaineer, author, motivational speaker and monologist. He is best known as a big wall climber, having scaled Yosemite’s El Capitan 30+ times, including five solo ascents, and two one day ascents, as well as climbing in Patagonia, Africa, Alaska, Antarctica and the Alps.
BLOG ENTRY: 27/06/19
More books for the Bermuda bookstore
BLOG ENTRY: 24/06/19
Very interesting Vlog from Dave MacLeod talking about the mood stabilising properties of dietary manipulations. This is something that we know about but don’t spend a lot of time promoting (as psychiatrists), partly because the field of nutritionism is plagued by quackery. Dave’s anecdote is compelling and he also provides a number of references.
Dave MacLeod on the first ascent of The Railway Trail, V8 at Admiralty Park in 2010. Photo Grant Farquhar
BLOG ENTRY: 06/05/19
Superb piece in UKClimbing by Mick Ward celebrating the life of Ed Drummond. He includes a quote from me in The White Cliff.
Ed Drummond (1945-2019) – A Retrospective
Mick Ward’s Erratum on UkClimbing:
Many thanks to people for their kind comments. I suppose I’ve been fascinated by Ed Drummond for so long that I’ve failed to realise so many others are equally fascinated. In an age of characters, a remarkable one.
Jim Perrin, who has a memory like an elephant (far better than mine) pointed out that Joe Brown’s actual comment re guiding someone up The Boldest was, “Not bad value, two quid a day!” If Drummond ever found out what Jim got for guiding David Nott up Great Wall, some five years later, he’d have gritted his teeth in despair.
More importantly (and I completely forgot this) Jim was taking a mate up Peapod when Drummond was, ahem ‘working’ on Linden and it was a lot more than dots for skyhooks. Having said that, he did later agree he was wrong. He seems to have been an almost tactlessly honest person most of the time (e.g. Boje’s interview tale) but maybe got into denial sometimes where climbing was concerned (e.g. the slip/fall on High Tor). My feeling is that when climbing crosses the line between determination and obsession, normal perspective just goes right out the window.
I’m grateful to Rob Parsons for pointing out that ‘Climb for the World’ went ahead, at least in some form. Bridwell and Silvia Fitzpatrick on the Eiger – a pretty determined pair.
Am also grateful to Colin Rowe for explaining about the trial/lightening conductor. I could never understand the trial supposedly being at the Old Bailey (thought it was for proper bad ‘uns). Interesting to compare the French reaction with Mike Robertson soloing the Eiffel Tower. “What’d you do that for?” “Protest about human rights abuses in Burma. Just felt I had to do something.” (Some hours later.) “Fair enough then, off you go.” Surely a much more mature response?
Re Drumond not getting a place on the 1968 team on the second ascent of the North America Wall, Ian Parsons pointed out that Royal Robbins had already done it (FA!!) He was trying to get Drummond onto a team with Don Lauria and Dennis Hennek but they weren’t having it. Ian also pointed out that Drummond’s version of Flaky Wall, with five skyhooks for aid (he liked his skyhooks) was called Hook Crook Wall (geddit?) When Pete Livesey completely freed it, he renamed it Bulldog Wall (geddit?) People power seems to have restored it to Flaky Wall (phew!)
Am grateful to Ian Jones for taking the photograph of Drummond on Censor, that day. It somehow got credited to Ian P Smith in Mountain. I always thought it was Ian Smith, who did take the great photo of Drummond up his tripod. But he says not. So who’s got your £10, mate? That’s a couple of pints I owe you.
Fascinating account by Boje of actually seeing Drummond do Great Wall. How I’d love to have been there. His essay is a thing of timeless beauty.
One could argue about Drummond’s character forever – but there’s probably no point. Most of us get things wrong when we’re young and spend the rest of our lives trying to do better. Mark Warwicker and others have pointed out that the later Drummond was a compassionate, sensitive and caring man. One way or another, his life was a very hard journey.
BLOG ENTRY: 01/05/19
El Capitan. Photo Grant Farquhar.
The Royal Gazette ran a story today about Alex Honnold and I snuck in a plug for Climb de Rock. The photos are mine and did not appear in the article.
Scaling the heights with solo rock star
Grant Farquhar on the initial section of Freerider, the route Alex climbed in Free Solo. Photo Grant Farquhar.
A Bermuda rock climber talked yesterday about his experience of an ascent with a top free soloist and star of an Oscar-winning documentary to be shown today.
The Bermuda International Film Festival is to feature Free Solo, the story of Alex Honnold, who climbs alone and without ropes and his attempt to become the first climber to solo climb the 3,200ft El Capitán cliff face in Yosemite, California.
Grant Farquhar, author of Climb de Rock, a climber’s guide to Bermuda, said Mr Honnold was “like a monk” and totally focused on his work.
Dr Farquhar, a psychiatrist, said: “Alex does not drink or smoke, just climbs.
“I will definitely be watching that documentary at some point. There’s also a great book about it called The Impossible Climb.”
Dr Farquhar is originally from Scotland and has climbed since childhood. He climbed with Mr Honnold at Cheddar Gorge in Somerset in Britain six years ago, along with friend Hazel Findlay.
He said: “El Capitán is one of the most impressive climbs on the planet. It’s one of the biggest monoliths in the world.
“So Cheddar Gorge was not the most inspiring thing for Alex, coming from sun-drenched California.”
The daredevil climber’s story has been brought to the island as part of Biff’s series of art house, foreign, documentary and independent films, shown on the first Wednesday of each month.
The film, which premiered last year at the Telluride Film Festival, shows the planning and execution of Mr Honnold’s hair-raising ascent.
Two months ago, Dr Farquhar published his own guide to Bermuda’s climbing scene, which is on sale at the Bermuda Bookstore in Hamilton.
He climbs several times a week and said Admiralty House, Pembroke is his summer favourite, with Great Head in St David’s — Bermuda’s biggest cliff — the choice in winter.
Dr Farquhar said: “Bermuda’s unique for climbing. There’s nowhere else like it, especially when you’re climbing above crystal-clear water.”
The story of Mr Honnold’s ascent of the granite monolith El Capitán, a Mecca for climbers, is scheduled to screen at 6.30pm in the Speciality Cinema in Hamilton.
Tickets to Free Solo are available at ptix.bm, as well as in advance as the cinema’s box office, and tonight.
BLOG ENTRY: 28/04/19
The water is now above 70 degrees and conditions are great for DWS.
BLOG ENTRY: 06/04/19
Last weekend, Sam Mir made the fifth ascent of Bogeyman (5.12c). Photos below courtesy of Sam from an earlier attempt.
BLOG ENTRY: 19/03/19
Article on Climbing magazine website about DWS safety with pics of Jazmyne Watson on Xavier, 5.12c. Photo Andrew Burr.
BLOG ENTRY: 19/01/19
The cliffs in Bermuda tend to be very steep so its usually easier to equip the sports climbs from below. I have spent quite a lot of time, on aid, rope soloing the routes in order to place the in situ gear: threads and bolts. What I haven’t spent a lot of time doing is something that I did today: taking a leader fall while rope soloing.
Behind the stalactite curtain at Tsunami Wall. Photo Grant Farquhar.
As you can see from the photo above, today was a beautiful high pressure winter day in Bermuda. I decided to head to Tsunami Wall to start a new project and also to replace the last expansion bolts with titanium glue-ins.
The route in question, Third Degree Burns Night, was put up in 2009 and so the fixe stainless steel expansion bolts have been in situ on the cliff for 10 years. It’s not a great route so I hadn’t gotten around to replacing the bolts before now.
I established a ground anchor on a large thread and then set off, clipping two manky old in situ threads. Some damp crimps above the second thread allowed me to clip the first bolt. As I began pulling up on the quickdraw, without warning, the bolt exploded and I was briefly airborne.
The base of Tsunami Wall. The rusty remains of the bolt that sheared is at the top of the picture, just right of centre. Photo Grant Farquhar.
The ten-year-old manky old 9mm dynamic climbing rope thread held the fall without complaint. I had tied a back up knot to prevent me from hitting the deck should the Grigri slip, but it locked immediately. Taking falls, like this, so close to the ground is extremely dangerous as any slack in the system will likely result in a ground fall.
The hanger from the sheared bolt. Photo Grant Farquhar.
This exemplifies the dangers of expansion bolts on sea cliffs. I had surmised that the route was not safe to climb using the exisiting bolts, but I was surprised that this bolt would not even hold body weight. The hanger showed ‘tea staining’ but was otherwise intact. The expansion bolt, however, is under tensile stress and therefore vulnerable to stainless steel corrosion cracking.
The vast majority of in situ bolts in Bermuda are now glue-in titanium which are the best for this, highly corrosive, environment. There are some stainless steel glue-ins which are OK so far but may need to be replaced with titanium eventually.
BLOG ENTRY: 12/01/19
The rock climber’s guide to Bermuda is now available on Amazon Kindle via Atlantis Publishing.
BLOG ENTRY: 30/11/18
Mission Impossible article on UKClimbing.com to promote The White Cliff.
Mission Impossible: British Climbing’s Great Challenges
BLOG ENTRY: 12/11/18
First reviews of The White Cliff
Friday, 24 August 2018
The White Cliff….Review
Henry Barber and Al Harris looking suitably intimidated!:Photo John Cleare
Tuesday, 9 October 2018
What Martin Farr did for Cave Diving with the Darkness Beckons, Grant Farquhar does for one cliff in a forgotton part of Brexit UK. Mind you it is perhaps the best cliff in the world!
This is not Gogarth but the Underworld, Christina coming down to pay the Ferryman. You must pay him otherwise he never lets you go. People who climbed on the magic cliff of Gogarth were never let go.
Mandy landing in the Underworld. There must be so much of me that is actualy Gogarth, I eat the rock, bit the fucking dust and gave it my blood. The cliff came flooding back when I picked up the parcel, thanks Grant. My sweat came back, thanks guys who shared your stories and grip ups! This book on Gogarth is an anthology, and for me it is the best collection of writing that portrays climbers and climbs. Buy it!
My own Private Idaho, my own private Gogarth.
The magic munchkin Dawes on his and Craigs fab route, Onan the strong fingered.
I thought this a bit silly and overdone, but then I read my own bit of writing in it and nearly cried!
As I said before ….unfinished routes there for me…
Desroy, one of the actors, more characters than in a hundred picaresque novels.
Two old mates , this book is full of old mates, some dead, “brown bread”. There are un wholesome tales, there are sweet tales..
BLOG ENTRY: 31/7/18
The hardback version of my book, The White Cliff, will be available tomorrow.
BLOG ENTRY: SUMMER 2018
Great article about cliff jumping http://tahoequarterly.com/features/legends-of-the-fall
BLOG ENTRY: SUMMER 2018
BLOG ENTRY: SPRING 2018
Hot on the heels of Henry’s visit, we had the privilege of hosting Charlie and Gilly Woodburn who were joined by Dave and Claire MacLeod. Repeats of John Langston’s 13c, the hardest sports route in Bermuda, ensued.
Dave MacLeod on the second ascent of (One Flew Over) The Cuckoo’s Nest, 5.13c. Photo Gilly Woodburn.
Dave MacLeod on the second ascent of (One Flew Over) The Cuckoo’s Nest, 5.13c. Photo Gilly Woodburn.
Charlie Woodburn on the third ascent of (One Flew Over) The Cuckoo’s Nest, 5.13c. Photo Gilly Woodburn.
Charlie wasn’t done after a day on the crag: he brought his Beastmaker 2000 with him.
BLOG ENTRY: SPRING 2018
This piece was published on Footless Crow on 6th April 2018.
Full Hot: 1 adj. Archaic English: Heated; Fiery; Hotter than hot. 2 adj. /fuhl-hah t/ Bermudian: A person who has had too much alcohol to the point of complete inebriation. ‘Aceboy is FULL HOT ummaa take mi bredrin home.’ See also: half hot, hot, full hot & foolish.
Henry Barber on Full Fathom Five Ten. Photo Grant Farquhar.
I had gotten in touch with Henry Barber, from my home in Bermuda, to obtain permission from him and Chip Lee to include an excerpt from Chip’s 1982 biography of Henry in the forthcoming Gogarth anthology: The White Cliff. Henry made several trips to the UK in the 70s climbing in many different areas, including Gogarth, and forging friendships in the anarchic climbing scene.
At the time, ‘Hot Henry’ was, arguably, the best climber in the world. He climbed 300+ days a year and travelled the world to climb in diverse places, often barefoot or solo, amassing a string of first-free and onsight solo ascents that redefined style and ethics on a global scale. In 1972, Henry pulled into Yosemite for the first time; coming from the east coast, he was not made to feel welcome: ‘They would give me the stinkeye. It could have been a jealousy thing, or I could have been an asshole, I don’t know. It just got worse over the years.’ The following year, Henry onsighted the outstanding project of Butterballs (5.11c), a route that was, according to John Bachar, ‘way over everybody’s heads’. Henry then soloed the Steck-Salathe, onsight, and climbed The Nose of El Cap 75 percent free in a day and a half.
Henry returned to Yosemite in 1975: ‘I wasn’t liked, flat out. I was a gun walking into town. I was like a lone gunslinger walking down the street and there were five guys lined up at the other end of the street ready to draw their guns.’ Fish Crack was the Valley’s biggest prize at the time, and a project being worked by Bachar and Ron Kauk. Barber climbed to the poorly-protected crux near the top of the route and fell onto a lone, sketchy nut that – had it pulled – would have ended his bold career: ‘I fell off the chicken head after the crux when my feet slipped as I was climbing in a light rain. The next day Kauk and Bachar yo-yoed the route but didn’t get to my high point. I completed it, in one go, the following day.’ At the time, the 5.12 grade had yet to be established in Yosemite. Henry gave Fish Crack 5.11 because: ‘They would have hated me even more if I’d given it 5.12.’ It now is graded 5.12b and regarded as one of Yosemite’s, and the world’s, first routes of that grade.
Henry Barber soloing The Strand. Photo Edgar Boyles.
In 1976, for an American Sportsman TV show episode, a 22-year-old Henry onsight soloed The Strand, an E2 5b on Gogarth’s Upper Tier. This ascent turned into a gruelling one-and-a-half-hour epic. Once past the crux, Henry was totally committed: ‘Under the circumstances, I realised that I could not down-climb the difficult moves. It’s one of the only times in climbing that this has been true. There were just too many things working against me.’ He was very relieved to, finally, reach the top: ‘I was hot, I was tired, and I was beaten. It was an incredible mental challenge for me, but I wouldn’t do anything like it again because it was too close to death.’
While corresponding about his Gogarth days for The White Cliff, Henry revealed that he had been to Bermuda around Nov/Dec 1972, and climbed: ‘I did three routes in Horseshoe Bay and three at the quarry near Fort Scaur.’ I wasn’t particularly surprised that Henry had climbed in Bermuda before, but I was surprised when he accepted my invitation to visit this year.
‘Who’s Henry?’ enquires my wife. I explain who ‘Hot Henry’ is. ‘So what’s his nickname now that he’s older? Half Hot Henry? Tepid Henry?’ she asks. I had met Henry once before, in Melbourne after he gave a lecture at the climbing shop. Waiting at the airport, in Bermuda, almost 20 years later, I’m wondering how much he has changed in that time. Some old guy with a moustache emerges. Is that him? No. Time passes, I start to wonder whether he made his flight or not. Just as I sit down, Henry comes through the sliding doors. His moustache is whiter, but otherwise he looks remarkably similar to my memory of him.
Henry is in a good mood, but having got up at 2am and made a 6-hour drive through driving snow into the teeth of a New England Nor’easter to make his flight, he wants to head to my place to regroup a little before hitting the crag. Afterwards, I take him to Clarence Cove, and we do some mellow deep water soloing. The second day starts off well when Henry lands a 10 pound+ bonefish on his fly rod in our bay. Notoriously difficult to hook and land, the local bones experts are suitably impressed and the resulting conversation about casts, bites, lures, flys and the size and weight of fish goes on for a while.
Henry with his Swami Belt at The Great Head. Photo Grant Farquhar.
Henry is a purist, an exponent of ‘clean climbing’ which means that his climbing equipment consists of simply a bandolier of nuts and a swami belt. No cams. No harness, and sometimes no rockboots. At least he has a belay device and a chalkbag. Oh, and he is wearing rock shoes. Barefoot climbing on the sharp rock in Bermuda would be painful. We hit the Great Head; at 100’ this is Bermuda’s biggest cliff and home to many good routes from 5.8 to 5.13. We start off on 5.8 and progress steadily to 5.10. Henry is 64 years old and not suffering from anorexia nervosa, but he climbs surely and steadily with no dithering. The steepest sections cause him to pause and there is some down climbing, but he is always in control.
Henry Barber on Xantho. Photo Grant Farquhar.
I’m interested in picking Henry’s brains about free soloing. There are sections of The White Cliff that touch on this topic in relation to climbers such as Jimmy Jewell and Derek Hersey; who soloed frequently, and who died doing it. In his superb essay about soloing with John Bachar, The Only Blasphemy, John Long defined this as ‘ – to willfully jeopardise my own life’. If this is, indeed, the only blasphemy then to blaspheme on a daily basis; to be willing to pay the ultimate price, like Jewell and Hersey, can only be described as heresy.
The rewards for indulging, repeatedly, in such behaviour appear to lie in the feelings arising, at the time, from doing it and, afterwards, from having done it. Regarding the former, Derek Hersey said: ‘There’s nothing that makes me feel so alive. You’re thinking – but not in words. You’re thinking in movement, in rhythm… You have to almost say there is no probability of falling. Subconsciously, you just have to go with that.’ In his book, Rock Athlete, Ron Fawcett outlines: ‘The strange mixture of feelings you get while soloing high above the ground, of being calm but utterly focused. I see myself totally absorbed and living intensely; it’s what I love about the sport.’ Both appear to be describing the highly focused mental state of complete absorption in an activity that has been labelled ‘flow’.
Regarding the ‘high’, Ron Fawcett concedes in his book that he did get ‘a buzz’ from the danger. In an interview in 2008 Henry Barber said: ‘Another reason I loved soloing was for the euphoric feeling afterwards. I remember soloing the North Face of Capitol Peak [a 5.9 in Colorado] and coming down and making love to my girlfriend. Unless I was Carlos Castaneda, I couldn’t describe what that’s like, but that’s what really almost addicted me to it; not the struggle and focus during the climbing, but the release afterwards. I’ve never done drugs, but it’s got to be like that, because it’s intense.’
Everybody has experienced flow states, during, and highs, after, climbing. According to the theories of Mihaly Csikszentmihalyi, to achieve a flow state a balance must be struck between the challenge of the route and the skill of the climber. If the climb is too easy then it’s boring; too difficult it’s frustrating, and in both cases, flow cannot occur. Skill level and challenge level must be closely matched. In order to maintain the mental state that the protagonist seeks, then there will – have to – be an inevitable escalation of challenge over time, otherwise the activity will become boring: unrewarding.
The implications of this for someone whose chosen activity is highly potentially lethal, such as solo free climbing or, say, proximity wingsuit BASE are that unless, at some point, the individual consciously decides to retire from the flow-driven inexorable escalation of challenges, then the activity will, eventually, kill them. For the solo climber, the margin for error on a route of high difficulty will eventually become too thin for that unexpected occurrence: hold failure, gear failure, weather failure; or, perhaps, most insidiously, when soloing routes of lower difficulty has become insufficiently challenging – mundane – to generate the mental state necessary to survive. It doesn’t matter if you fall off a hard or an easy solo, the rock does not care, and the outcome is the same. When I question Henry about this, he says gnomically: ‘You retire it, or it retires you.’
On our second full day climbing, we head to Tsunami Wall which, unfortunately, is living up to its name and being deluged by waves, so we visit The Pump Room. Henry’s knee is playing up, but he gimps his way manfully down the steep approach scramble before sending a couple of steep lines. Later I take him to an obscure deep water solo venue located in Tom Moore’s Jungle which also happens to be Bermuda’s premiere cave diving spot. Embarrassingly, I wander around the jungle, lost, and fail to locate the crag. I have an idea where it is but the trail has grown over, and I don’t want to lead Henry on a bushwhack from hell to try and find it. So we go bouldering on the beach and repair to the pub.
Henry, I have to say, was a highly entertaining guest. During our drives to the crag and mandatory debriefings, in the pub, Henry while frequently incoherent with laughter regaled me with tales from his time in North Wales in the 70s with luminaries such as Al Harris, Pete Minks, Al Rouse, Cliff Phillips et al. I should have recorded him as the stories are the stuff of legends, hilarious, but also dark and borderline sociopathic. There is a tale about four naked climbers in the bathtub with Pete Minks delivering the punchline as he comes up from between womens’ legs with grey bath water streaming off his beard: ‘It’s all right, I’m a plumber.’
Another story is of repeated restaurant food hijacking with Al Harris pleading to an enraged mob: ‘Do you think somebody like me would do something like that?’ On another occasion North Wales arrives, without warning, in a restaurant in Boulder, Colorado with Pete Minks demonstrating the ‘Dance of the flaming fairies’ involving a naked man and a rolled up newspaper that was inserted in a specific anatomical location and set on fire. Chip’s biography of Henry, On Edge, was written when Henry was 29 years old. Surely only pop stars and footballers produce biographies before they are 30? Henry is still ‘Full Hot’, and with stories like those above, it might be time for him to think about On Edge Volume 2.
Henry Barber soloing in Scaur Quarry in 1972. Photo Barber collection.
After Henry leaves, I find the quarry that he climbed on in the 70s. It’s 20ft high with vertical walls, corners and arêtes. I solo the cracks and corners and then a nice 20ft arête. It’s like a mini-Millstone so Veg Lane has to be the name, or maybe On Edge would be more appropriate? The jungle at the top resembles Vietnam and is impenetrable. With a nasty looking squall blowing in from the ocean, I hastily downclimb another, easier, arête. I get home and look at Henry’s photos. Wait a minute that looks like a different quarry? Still it was a nice arête.
Henry Barber in Wild New Brave (film).
‘Henry Barber – Free-Climbing Pioneer, Free Soloist, Trad Climber, Motivational Speaker, Purist; North Conway, New Hampshire’ by Mark Synnott in Climbing magazine, 2008.
‘Soloing at the Limit’, an interview by Annie Whitehouse in Climbing magazine, 1992.
On Edge, the life and times of Henry Barber by Chip Lee.
Rock Athlete by Ron Fawcett (with Ed Douglas).
BLOG ENTRY: SPRING 2017
DWS season is here.
Above: Sam Mir on Lactic Ocean 5.12a.
Below: Leeroy Beeby making a successful ascent of Xavier 5.12c.
BLOG ENTRY; AUTUMN 2016
Jazmyne Watson has been featured on the front cover of the WoC Calendar 2017. Photo Andrew Burr.
BLOG ENTRY; SUMMER 2016
Well summer has come and gone in a flash of sunshine, sweat and hurricanes. There was lots of DWS action whilst the water was above 80 degrees.
Climb de Rock 3 was shot this summer and shows some of the activity.
Two views of Leeroy Beeby vs Alien, 5.11c. A superb traverse through a roof/tunnel at Spanish Point.
Seagull Crag, another venue near Alien, this one is Gull Power 5.11a.
This summer saw the return of Fabian Gysi who wasted no time in finding a worthy project at Clarence Cove. Here he is giving Leeroy the beta.
Sam’s Kraken is graded 5.12a but looks hard with lots of footless campus moves through a horizontal ceiling.
Meanwhile, I had a look at the direct start to White Guilt. This is a line that I had half-heartedly tried before but never really taken a serious look at. The first section is a baffling sequence through a small roof that succumbed to a kind of flying heel-hock rock-over to gain the sloping crimps in the middle of the White Guilt traverse. I then spent a few frustrating sessions trying to make the move from these into Xavier before I figured out the correct body position, after which of course, it felt easy. A couple of holds have come off here. There used to be two good flat holds immediately above each other where you could shake out and swap hands, now all that is left is a crappy one pad crimp that you have to swap hands on. The next section is the crux of White Guilt which is a tricky match on a crimp involving lots of foot moves to cross through and gain the handrail of Lara Croft, which is where I got to on my second go of this particular day. I then fumbled the crux of Lara Croft and fell off. This was an example of dropping concentration and snatching defeat from the jaws of victory. I flashed Lara Croft when I made the first ascent in 2006. Since then I have done it hundreds of times and this was the first time that I had fallen off the crux. Next go, I almost fumbled the same move but just managed to keep my tips on the hold. White Privilege (5.12a) is the precursor to White Guilt.
This new venue on Long Island gave a number of new lines.
Grant Farquhar on the first ascent of The Tin Man. Photo Chris Burville.
BLOG ENTRY; SPRING 2016 by Grant Farquhar. Uncredited photos by Grant Farquhar.
This Spring I have been on a mission to remove in-situ steel bolts and replace them with titanium. The Fixe marine grade stainless steel bolts actually fared better than I expected and most were still OK. However the Titan titanium bolts coupled with the Hilti 500 resin is defintely the best combo for the Bermuda environment. Expensive yes, but should last for a very long time. Meanwhile, with summer coming and the water 73 degrees, DWS season has started………..
Hogfish Bay scenes.
Timothy Claude recently made the third ascent of Fifty Shades of Pink and now runs laps on it.
Timothy Claude cruising Fifty Shades of Pink.
Timothy Claude topping out Fifty Shades of Pink.
Emilia Giordano on Trouble and Strife.
Leeroy Beeby on Narcosis.
Leeroy Beeby on Narcosis.
Leeroy Beeby on Narcosis.
BLOG ENTRY; FALL 2015 by Grant Farquhar. Uncredited photos by Grant Farquhar.
“Bail upwards!” Alex Honnold
Its fickle how different climbing venues come in and out of fashion. This fall in Bermuda, Hogfish Bay was the place to be. This venue is probably the second most frequented DWS location in Bermuda but is usually neglected in favour of the neighbouring Clarence Cove which is shorter and with better rock. The access traverse for Hogfish also weighs in at 5.11c which means you have to be operating at a reasonable standard before you can get on any of the up routes which range from 11c to 12c.
Timothy Claude living High on the Hog
Earlier in the summer I completed Hogwash, the traverse around the eastern part of Hogfish Bay which opens up a massive link up of Ambergris in Clarence Cove and The X Man Finish/ Death by Bongo Bongo in Hogfish Bay to give a 150m sea-level traverse at 5.11+. A number of other high level and mid-level traverses were completed including High on the Hog, Hogging the High, Bonsai Hotline and Bonsai Nightline.
Leeroy Beeby sends Terminal Velocity
Sometime in September, Timothy and I were standing on top of the arch at the western end of Hogfish Bay. What goes up that little headwall over there? He said. Nothing dude, I replied go for it! The line soon fell to give Terminal Velocity, a micro gem of a route with a very blind finish completed by Timothy, myself, Leeroy Beeby and Sam Mir.
Sam Mir sends Terminal Velocity
The up routes at Hogfish are all in the upper 5.11 range with Tortura Del Agua probably the hardest and one of the best of the bunch. This route received much attention this fall before the second ascent fell to Timothy Claude with further ascents from Leeroy and Sam.
Timothy Claude on Tortura Del Agua
Fungus Rock became yet another 5.11d on this wall and combines a start discovered by Leeroy, avoids some fungus and then takes an alternative way into the finish of Tortura Del Agua.
Fifty Shades of Pink is a superb 5.12c on immaculate pink limestone that has been under my nose for the last 7 years. It took Dave Pickford’s very impressive on-sight flash first ascent earlier this year to galvanise my interest. I had always thought this line looked much harder than 5.12 but I was wrong! I managed to repeat it second go on my second day of trying the route. I arrived at the crag after work as everybody else was leaving. After climbing a warm up, I didn’t feel optimistic but I knew I should attempt it. I almost didn’t go for it due to the prevailing conditions which constituted on-shore wind, big sea and low tide. On the initial sea level traverse a big wave came through and sprayed up my shorts completely soaking one rock shoe and my left testicle. No point in giving up now, I can only get wetter and my balls are wet but still there. The start flowed easily enough. The three finger pocket felt better this time and I got a slightly better crimp to the left of the one I had been using previously. Right hand into poor gaston then crucial left foot move to go again with the right hand into a crimp. Tricky, easy to blow, slopers on the traverse right then up to top which looks like a sloping pile of sh!te from above but feels like a jug en route. Make sure not to blow it on the top out. Woo Hoo!
Dave Pickford on the crucial mauve of Fifty Shades of Pink
I followed up my ascent of Fifty Shades with a variation start, Rococo (5.12c) and incorporated the crucial section of Fifty Shades into Boss Hog (5.12d) which seeks out the hardest possible right to left traverse line of most resistance across the wall.
Once again the ever explorative Timothy Claude discovered a new cliff on the north shore of Bermuda. Mind you, his house is perched on a cliff on the north shore and this venue is about 100yds from his front door so he did not have to venture far! Burton’s Bay has a fairly tall approx 45 feet slightly overhanging wall with a capping roof. Snorkelling underneath revealed a snag. The reef underneath shelves out from the base of the crag from a depth of waist deep at high tide to just overhead depth about 15 feet out from the base. Falling off on the first section of the wall would not be an option but the roof section should be safe. The atmospheric conditions were not perfect with rain all morning and then clearing slightly in the afternoon but it was a 1.1m high tide at 2pm so I whatsapped Timothy and headed over. Sea level traversing lead to a no-hands ledge/cave underneath the wall proper. Hands over the roof revealed wafer thin biscuity rock. I decided to turn the roof on the left. Lots of slow Gogarth South Stack ledge shuffling took me on through fragile overhanging rock above waist deep water over reef to the break before the final overhang. Its probably OK to fall from here. The overhang looked quite tricky with no convenient massive jugs to pull on. I’m pumping now and its going to be safer to continue than reverse. Time to bail upwards! A cramped rock over to the right and a crimp at the back of the roof allowed me to gain the lip which was flat but wet. No time to hang around, feet up, step left, top.
Cream Crackered 5.10d R/X lies on Burton’s Bay Wall, reef visible below
BLOG ENTRY; SUMMER 2015 by Grant Farquhar. Uncredited photos by Grant Farquhar.
Jeff Achey and Andrew Burr on assignment from Climbing magazine visited Bermuda from Thursday 23rd July to Tuesday 28th July. Unfortunately the weather was un-seasonally bad with lots of showers, thunderstorms and one day of continuous rain.
Jeff Achey takes on Bermuda beach bouldering in bare feet.
Thursday 23rd July. DWS at Clarence Cove area. It rained all day but brightened up in the evening. I picked Andrew up at the Rosedon Hotel and we headed to Clarence Cove. After a quick recce, Andrew spotted a scene he wanted to photograph on the east side of Deep Bay. “Swim over there and get on those routes under those houses dude” he directed. As I was climbing, Jazmyne and Simon showed up and we all then climbed a load of routes on the Full Fathom Five Ten buttress. Simon fell off one of the routes and was then dubbed “splash guy” by Andrew for the rest of the weekend. As the light was fading Andrew wanted to shoot a load of routes in Clarence Cove as his “insurance” against the weather remaining bad for the rest of the trip. As it turns out, this was a wise move.
Andrew prepares to shoot Jeff and myself on a route at The Great Head. Photo Ian Bridges. This photo was taken from a jet ski.
Friday 24th July. Sports climbing in very bad conditions at The Great Head and The Pump Room in the morning followed by lunch at the Swizzle Inn. Jeff narrowly missed the on-sight of Crackhouse which is 11c in good conditions but more like 5.12 something in the sauna-like conditions. I obediantly dogged my way up Bogeyman for some pictures before climbing a couple of routes on Nereids wall. Andrew had spotted another scene he wanted to photograph which is the Pump Room crag with the St David’s lighthouse in the background. Ahab is only 11b but feels like 12b if it is humid which it definitely was! I slimed off on the lead with Jeff making an impressive flash when cleaning the route. Lunch and welcome rehydration was fish sandwiches at the Swizzle. I was trying to organise Stand Up Paddle Boards to be available for the boat trip scheduled for the next day but my predictive text insisited on Stand Up Paddle Broads. This became a standing joke for the rest of the trip. In the afternoon we met a psyched local crew for DWS at Clarence Cove area. Jeff on-sighted Atlantis, Night Dive and Ordering Enema Trauma. Xavier received much attention with multiple spectacular attempts that were tantalisingly close to success. Leeroy Beeby tried so hard he pulled a hold off but this has not changed the grade of the route. Evening activity was dinner at The Pickled Onion.
Jazmyne Watson attempting Xavier, 5.12c
Jazmyne Watson attempting Xavier, 5.12c
Jazmyne Watson attempting Xavier, 5.12c
Jazmyne Watson attempting Xavier, 5.12c
Jazmyne Watson attempting Xavier, 5.12c
Saturday 25th July. Unfortunately it rained all day. Days like this are unusual in Bermuda, especially in July. I had scheduled an all day boat trip in the itineray taking in Harrington Sound in the morning followed by Great Sound in the afternoon. This would have been the highlight of the trip but alas not to be. After a morning spent fruitlessly waiting for the weather to change, Andrew, Jeff and I went looking (unsuccessfully) for sea horses, looked at some wet crags, checked the surf and drank beer. We had a climbing dinner/ slideshow at my house in the evening. The high point of this was Burr’s amazing inspiring climbing slideshow pieces that are set to music. After everybody left I watched them back to back about 5 times before going to bed.
Andrew and Jeff amusing themselves on a rainy day in Bermuda.
Sunday 26th July. East end bouldering in the morning followed by lunch at the Swizzle Inn and a very last minute boat trip to The Great Sound. In defiance of the weather forecast, sunday dawned and remained sunny blue skies all day. We checked John Smith’s Bay first which was dripping wet after the rain so we immediately bailed to Trespasser’s Cove. Access to this spot is tide dependent and involves a 5 min walk down an immaculate deserted pink sand beach followed by a shallow wade at low tide to a cove where the best bouldering area in Bermuda lies. On this day, low tide in the morning was a by Cinema-Plus 1.1″ href=”http://climbderock.wikifoundry.com/page/#99196940″ target=”_self” rel=”noopener noreferrer”> high low, and coupled with a small swell produced head high waves which meant a bit of a drenching on the way in and a very tight window at the crag before we had to bail. During lunch at the Swizzle Inn we tried and exhausted numerous boat leads before Devin sourced a boat hire from Somerset Bridge. A very psyched crew congregated at Robinson’s Marina and then hit Scaur Wall. Jazmyne made the second ascent of Biggus Dickus, Josh found a new route and Leila flashed a 5.10b after not climbing for 2 years. We then moved to Echo Beach where the highlight was Jazmyne’s hard bouldery new route; Caught between a Hard Rock and a Hard C0ck. The name has something to do with an unorthodox looking no hands rest discovered by Leeroy earlier in the day. Leeroy was the only other climber to succeed on this line despite numerous attempts.
Climbing paperazzi shoot Jazmyne Watson at Trespasser’s Cove.
Josh Hill on a first ascent at Scaur Wall.
Jazmyne Watson on the second ascent of Biggus Dickus.
Andrew Burr shooting Leila Wadson on Craic Heads. Having not climbed for 2 years Leila flashed this 5.10b easily off the couch.
A very psyched DWS crew at Scaur Wall in The Great Sound. Left to right; Josh Stephenson, Leeroy Beeby, Dr Sam Mir, Simon Arthur, Leila Wadson, Jeff Achey and Jill.
Burr abseiling in for a boat pick up.
Monday 27th July. Jeff left at 6am but Andrew went to The Great Head in the morning with Jazmyne and myself to climb a couple of 5.10s in the rain followed by a short bouldering session at John Smith’s Bay. As Jazmyne was climbing Save Your Breath she attracted a crowd of tourists who seemed to think she was an “American Ninja”.
Thank you to Bermuda Tourism Authority especially Ms Jill Dill, Jeff Achey, Andrew Burr, Climbing magazine and the Bermuda climbing crew including Jazmyne Watson, Simon Arthur, Dr Sam Mir, Leeroy Beeby, Josh Stephenson, Josh Hill, Devin Page, Leila Wadson and Eloise Pitts Crick.
BLOG ENTRY; EASTER 2015 by Grant Farquhar. Photos by Grant Farquhar.
Dave Pickford on-sighting Poopenshooten.
Dave Pickford, Editor in Chief of Climb magazine visited Bermuda around Easter 2015 and pretty much crushed all the hardest routes. Bermuda is a 5.11 climbers paradise but Dave climbs 5.14 so he quickly ran out of routes. Here is a link to a short movie of his trip and below is his ticklist for the week.
DAVE’S BERMUDA TICKLIST
Thursday 26th March The Great Head
Power Junky 5.12a
Dave took a look at (One Shoe Over) The Cuckoo’s Nest but after recent rain this was seeping and having not been climbed since the first ascent was also dirty.
Ectoplasm 5.12d. Redpoint first ascent
Bogeyman 5.12c. Dave slipped off due to wetness at the second clip but then lowered off and flashed the route.
Friday 27th March North Shore
Lara Croft 5.11a
Dave took a look at Spicy Times but there was a tree in the landing zone courtesy of Hurricane Gonzalo which renders the route a bit too spicy!
Full Fathom Five Ten 5.10a
Poopenshooten 5.12d on-sight flash
Bullet in the Chest 5.12d on-sight flash
Dave Pickford on-sight flashing the first ascent of Fifty Shades of Pink.
Sunday 29th March North Shore
Shoot to Kill 5.13b flash first ascent
Rocket to the Head 5.13b flash first ascent
Monday 30th March The Pump Room
Tuesday 31st March North Shore
Night Dive 5.11c
Fifty Shades of Pink 5.12c on-sight flash first ascent
Rocketeer 5.13a flash first ascent
Wednesday 1st April North Shore
Tried project at Ladies Chambers
Dave Pickford attempting a project at Ladies Chambers.